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Art Direction (Black-and-White) - Art Direction: Robert Luthardt; Set Decoration: Edward G. Boyle Cinematography (Black-and-White) - Joseph LaShelle Writing (Story and Screenplay--written directly for the screen) - Billy Wilder, I. A. L. Diamond
The Academy Award for Best Production Design recognizes achievement in art direction on a film. The category's original name was Best Art Direction, but from 1939 through 1956 and again from 1959-1966, it was divided into two categories Best Art Direction (Black-and-White) and Best Art Direction (Color). It changed to its current name, Best Production Design, in 2012 for the 85th Academy ...
The 38th Academy Awards, honoring the best in film for 1965, were held on April 18, 1966, at the Santa Monica Civic Auditorium in Santa Monica, California. They were hosted by Bob Hope, and were the first Oscars to be broadcast live in color. [1] Lynda Bird Johnson, daughter of President Lyndon B. Johnson, attended the ceremony, escorted by ...
Feb 5, 2014 · ART DIRECTION (Black-and-White) The Americanization of Emily – Art Direction: George W. Davis, Hans Peters, Elliot Scott; Set Decoration: Henry Grace, Robert R. Benton Hush…Hush, Sweet Charlotte – Art Direction: William Glasgow; Set Decoration: Raphael Bretton The Night of the Iguana – Stephen Grimes
This category has undergone many changes since then. In 1940, a separate category of awards were introduced for color and black & white movies. In 1947, the name of the award was changed to Art Direction - Set Decoration. In 1957, the award became a single award and two years later, the category was again divided in two.
The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. [1] This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being ...
Art Direction (Black-and-White) - Art Direction: Lyle Wheeler, Joseph C. Wright; Set Decoration: Thomas Little, Paul S. Fox Cinematography (Black-and-White) - Joseph LaShelle Music (Song) - Through A Long And Sleepless Night in "Come to the Stable" Music by Alfred Newman; Lyrics by Mack Gordon
