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  1. Contempt was one of those films that blew me away from the first frame. Godard brings forward a sort of fearlessness that no one else can. Contempt was the first commercial venture for Godard, having built a notorious reputation as a ruthless new wave director responsible for Breathless , the film accused for kickstarting the French New Wave (alongside Truffaut’s The 400 Blows ).

  2. Sep 1, 2013 · This sadness abounds in Contempt, with which Godard created a gorgeous CinemaScope movie paradise of sin and spiritual and physical dilapidation. The film is a feast of textures, as we feel as if we could dip our toe in the lush blue oceans or take a stroll on the crumbling Roman Cinecitta Studios that come to function as defunct amphitheaters of a bygone age.

  3. Other articles where Contempt is discussed: Jean-Luc Godard: Breathless and filmmaking style and themes: …1963 film Le Mépris (Contempt), based on a story by the Italian novelist Alberto Moravia, marked his only venture into orthodox and comparatively expensive filmmaking. Afterward he maintained an almost unique position as an absolute, independent creator, using extraordinarily cheap ...

  4. A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script.

  5. Sep 5, 1997 · Contempt. "Contempt'' was Jean-Luc Godard's 1963 attempt at a big-budget, big- star production, and more or less satisfied his curiosity. It was not the direction he wanted to move in, and the rest of his career can be seen, in a way, as a reaction to the experience. Not that the film itself is a compromise; you can see the tension between ...

  6. Feb 26, 2008 · Contempt (1963) -- (Movie Clip) Completely, Tenderly, And Tragically Artsy director Jean-Luc Godard makes no explanation for his lighting in this scene introducing principals Camille (Brigitte Bardot) and Paul (Michel Piccoli) in Contempt, 1963, from a novel by Alberto Moravia.

  7. A screenwriter adapting Homer’s Odyssey for cinema is torn between the demands of a proud European director to whom he wishes to be loyal to; a crude, arrogant American producer; his disillusioned wife Camille; and his own self-respect. 443 IMDb 7.4 1 h 43 min 1964. 13+. Drama · Romance. This video is currently unavailable. to watch in your ...