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Raymond Stross (22 May 1916 – 31 July 1988) was a British film producer. [1] [2] Early life and education. Stross was born on 22 May 1916 in Leeds. He was educated at Abingdon School from 1929 until 1933 and was a member of the second XV rugby team. [3] Film.
Raymond Stross was born on 22 May 1915 in Leeds, England, UK. He was a producer and director, known for The Very Edge (1963), An Alligator Named Daisy (1955) and Shoot First (1953). He was married to Anne Heywood.
Miss Heywood and Stross were visiting Chicago for the world premiere of their latest partnership; a gold-robbery adventure titled " Midas Run ." Stross was frank about it: "It's not a profound message picture.
Aug 2, 1988 · Raymond Stross, the British-born producer who made a series of avant-garde films, many with sexual overtones and some starring his wife, died Sunday of the complications of heart disease.
Aug 4, 1988 · Raymond Stross, a movie producer and director, died of heart disease Sunday at his home in Beverly Hills. He was 72 years old. Mr. Stross was born in Leeds, England, and owned a...
Raymond Stross was born on 22 May 1915 in Leeds, England, UK. He was a producer and director, known for The Very Edge (1963), An Alligator Named Daisy (1955) and The Reverse Be My Lot (1937). He was married to Anne Heywood.
Oct 16, 2023 · Throughout Anne Heywood’s lifetime, she has been married twice. Her first husband was Raymond Stross, a producer, with whom she had two children. She later married George Danzig Druke, a former Assistant Attorney General of New York State.
Mar 15, 2024 · With her husband, Raymond Stross, producing the low-budget Canadian movie, she and Sandy Dennis starred as two women raising chickens on a remote farm who end up making love after Anne Heywood’s...
Raymond Stross is known as an Producer, Presenter, and Story. Some of his work includes The Man Who Watched Trains Go By, The Mark, The Leather Boys, The Fox, The Angry Hills, Good Luck, Miss Wyckoff, An Alligator Named Daisy, and I Want What I Want.
Fourteen months we were trying to get someone to believe in that picture," Raymond Stross said. "We had our own money in it. All of our money. Everything except the house. And all the time people were telling us, make a Hollywood picture. Make a commercial picture. 'The Fox' will never make a dime."
