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2 hours ago · Throughout the track, Lil Nas X, 25, recites confidence-building lyrics such as, "Move tell them make room / tell them make a way / tell them make a hole / Tell them boys they better hide / tell ...
1 day ago · Taylor Swift fans outside the Aviva Stadium listen in to the concert (Liam McBurney/PA) Before the show, members of the audience spoke of their love for Swift’s song-writing and the connections ...
1 day ago · K-pop loves its solo releases, showcasing how the various members of a group can shine individually while combining with ecstatic chemistry.Enter LISA, one-fourth of Korean titans BLACKPINK, who's already turned heads with her 2021 debut album, Lalisa.
5 hours ago · 4. Benson Boone, “Beautiful Things” Fireworks & Rollerblades // Night Street / Warner // 2024 . 22-year-old Benson Boone had a big year in 2024. The biggest triumph by the big-voiced pop star was his viral, no. 2 Billboard Hot 100 hit, “Beautiful Things.” “Please stay / I want you, I need you, oh God / Don’t take / These beautiful things that I’ve got,” he belts in the ...
1 day ago · Swift’s blockbuster show is set to boost businesses in the cities she performs in, a phenomenon which also happened during Beyonce’s Renaissance tour as it pulls masses of tourists to regions. The concert is one of several events taking place in Dublin this weekend, as well as Pride, Latitude Festival, Shania Twain and the All-Ireland Senior Football quarter-finals.
5 hours ago · Bad Gyal, after almost a decade on the urban music scene, released her first album – 'La Joia' – in January of 2024. In this image, she’s wearing a bikini and bottoms from Ottolinger, as well as a coat, belt and sandals from Dsquared2 Txema Yeste Bad Gyal's songs have been conceived “so that people can sing them out loud on the dance floor.”
5 hours ago · Greil Marcus, Mystery Train: Images of America in Rock ‘n’ Roll Music, 6th ed. (1975; reprint New York: Plume, 2015); Robert Fink, “Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon,” American Music 16.2 (1998): 135–179; Maureen Mahon, “Listening for Willie Mae ‘Big Mama’ Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock ...
