2003
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Alan Licht (born June 6, 1968) is an American guitarist and composer, whose work combines elements of pop, noise, free jazz and minimalism. He is also a writer and journalist. Biography
Alan joined James Jagger, Lee Ranaldo, Don Fleming, Sim Cain, and Sal Maida in several recording sessions for the HBO series "Vinyl," making the music performed onscreen by the "Nasty Bits."
Alan Licht. Born in 1968 and raised in New Jersey, I took guitar lessons at the age of ten and went on to play in typical high school cover bands and to study jazz guitar privately with Buck Brown.
Sep 19, 2024 · Alan Licht returns to VDSQ with Havens, a sprawling double-disc set of exploratory guitar-based compositions forged from the myriad possibilities arising when strings collide with electricity & space.
Alan Licht. New York, New York. Guitarist from Love Child, the Blue Humans, Run On, Text of Light, Lee Ranaldo & the Dust www.alanlicht.com www.alanlicht.tumblr.com
His dry wit, deep erudition, and unique perspective—informed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rock—have distinguished him as the go-to writer for profiles of adventurous artists across genres.
In the spring of 1999, Charles Curtis, Alan Licht, and Dean Roberts brought an unconventional mix of drone, improvisation, and experimental rock on an eleven-stop tour of Europe. The concept was straightforward, yet novel: each night, they would improvise a single piece while sustained sine waves played for the duration of the concert.
3,756 Followers, 1,451 Following, 469 Posts - Alan Licht (@irvifran) on Instagram: "alanlicht.com alanlicht.tumblr.com COMMON TONES: SELECTED INTERVIEWS WITH ARTISTS & MUSICIANS out now from Blank Forms"
Nov 15, 2020 · A new set by the coolest chap in New York City documenting the before-and-after development of a solo electric guitar piece that Alan Licht has been playing out for last four years.
The Wire 300: Alan Licht on the emergence of experimental DJ culture February 2013 A previously unpublished essay by NYC's own Alan Licht, specially commissioned to mark the magazine's 300th issue.
