1993
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JOAN MITCHELL: LES BLUETS (THE CORNFLOWERS), 1973. JOAN MITCHELL: LES BLUETS. (THE CORNFLOWERS), 1973. By Lydia Davis. I START WITH THE FACT that Les Bluets (The cornflowers) is the painting I think of first when I think of one that has had particular significance in my life. Then I have to figure out why. I am not even certain that Les Bluets ...
Jan 17, 2024 · January 17, 2024 5:38 pm. Composite graphic of recipients’ artworks.Photo: Joan Mitchell Foundation. The Joan Mitchell Foundation has revealed the names of the thirty-seven artists who will be participating in the organization’s artist-in-residence program at the Joan Mitchell Center in New Orleans. Sixteen of the artists hail from various ...
Aug 14, 2024 · Photos: Renee Cox (Gray)/Anthony Francis (Harjo)/H. Delgado (Rodríguez)/Marissa Leshnov (Tut)/ Joan Mitchell Foundation. The New York–based Joan Mitchell Foundation on August 14 named fifteen recipients of its 2024 Joan Mitchell Fellowship. Each will receive an unrestricted $60,000 grant, to be disbursed over a five-year period, beginning ...
Long eclipsed by her male New York School peers, Mitchell drew on the legacies of the historical avant-gardes in unique ways and turned gestural abstraction to her own ends, creating a body of work anchored to human reality not only by the kinds of material traces that Fulton sees preserved in pigment, but also by complex explorations of embodied subjectivity and intersubjectivity, of moving ...
“Joan Mitchell Retrospective: Her Life and Paintings” is on view at the Museum Ludwig, Cologne, through Feb. 21. A contributing editor of Artforum, Katy Siegel is the inaugural Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art at Stony Brook University, the State University of New York, and the author, most recently, of “The Heroine Paint”: After Frankenthaler (Gagosian ...
Aug 23, 2023 · The New York–based Joan Mitchell Foundation has revealed this year’s recipients of the Joan Mitchell Fellowship, which was established in 2021. Fifteen artists working in the fields of painting, sculpture, installation, and land art will each receive an unrestricted $60,000 grant, to be disbursed over a five-year span, beginning with a ...
May 14, 2024 · The Joan Mitchell Foundation today announced Sarah Roberts as its inaugural senior director of curatorial affairs, beginning in June. Roberts arrives to the freshly created role from the San Francisco Museum of Modern Art, where she has worked since 2004, most recently as Andrew W. Mellon Curator and Head of Painting and Sculpture.
Joan Mitchell, George Went Swimming at Barnes Hole, but It Got Too Cold, 1957, oil on canvas, 87 3⁄4 ...
JOAN MITCHELL TOLD INTERVIEWER Yves Michaud in 1986, “I imagine a sort of scaffolding made of painting stretchers around a lot of colored chaos as an identity.” 1 The terms of Mitchell’s self-image are characteristic in that they point through the self to the work.
Joan Mitchell dismissed her works on paper—even painting-scale pastels of four-foot dimensions—as “lady paintings.” Keeping faith with her subject, Jane Livingston, the guest curator of the Whitney’s Mitchell exhibition, created a retrospective exclusively composed of works in oil on canvas.
