2023
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Niousha Noor (Persian: نيوشا نور) is an American actress of Iranian descent. Career. Noor has appeared in numerous TV shows and films, including playing Donya on HBO's Here and Now. [1] .
59K Followers, 2,008 Following, 486 Posts - Niousha Noor (@nioushanoor) on Instagram: "@sonyclassics The Persian Version now on Netflix | Kaleidoscope, @netflix | IFC’s The Night, @hulu “Girls Just Wanna Have Fun” نوايی🎵 💚🤍♥️ 👇🏼".
Niousha Noor was born on 9 March 1982 in Tehran, Iran. She is an actress and producer, known for The Persian Version (2023), Kaleidoscope (2023) and The Night (2020).
Jan 21, 2023 · Niousha Noor plays the role of FBI Agent, Nazan Abassi, who is determined to regain custody of her child after suffering from a drug addiction. However, Nazan becomes consumed by the investigation into Leo Pap's crew and ends up paying the ultimate price for her obsession.
Nov 29, 2023 · David Buchanan. Film. November 29, 2023 9:30AM. “As an Iranian-American actor, we don’t get a lot of scripts centering on the Iranian-American experience,” explains Niousha Noor about what...
Niousha Noor was born on 9 March 1982 in Tehran, Iran. She is an actress and producer, known for The Persian Version (2023), Kaleidoscope (2023) and The Night (2020).
Feb 9, 2023 · The Iranian-American actor Niousha Noor (born Niousha Jafarian) received a major accolade last month: The movie she starred in, “The Persian Version,” won the Audience Award for U.S. dramatic film at the prestigious Sundance Film Festival in Utah.
Jan 31, 2023 · The Persian Version director Maryam Keshavarz and stars Layla Mohammadi and Niousha Noor talk about making their Sundance Audience Award-winning film.
It’s no wonder The Persian Version won the Audience Award at the 2023 Sundance Film Festival. It’s the best kind of crowd pleaser, one with a big heart that’...
Dec 1, 2023 · In Maryam Keshavarz’s The Persian Version, Niousha Noor delivers one of the best supporting performances of the year as Shireen, the mother of Layla Mohammadi’s Leila, whose emotional journey is the central point of Keshavarz’s film.
