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  1. José Ribamar Ferreira (September 10, 1930 – December 4, 2016), known by his pen name Ferreira Gullar, was a Brazilian poet, playwright, essayist, art critic, and television writer. In 1959, he was instrumental in the formation of the Neo-Concrete Movement.

  2. Ferreira Gullar, pseudônimo de José Ribamar Ferreira (São Luís, 10 de setembro de 1930 – Rio de Janeiro, 4 de dezembro de 2016 [1]), foi um escritor, poeta, crítico de arte, biógrafo, tradutor, memorialista e ensaísta brasileiro e um dos fundadores do neoconcretismo. [2]

  3. Ferreira Gullar (1930-2016) é um dos maiores nomes da literatura brasileira. O expoente da geração concretista é autor de versos que percorreram décadas e retratam muito da situação política e social brasileira. Relembre agora 12 das suas espetaculares composições.

  4. Mar 10, 2017 · A native of São Luís, Maranhão, on the northeast coast of Brazil, Gullar moved to Rio de Janeiro at the beginning of the 1950s. There, he met towering critic Mário Pedrosa, with whom Gullar sustained a productive dialogue that radically transformed Concrete art and poetry in Brazil.

  5. www.artforum.com › columns › ferreira-gullar-233300FERREIRA GULLAR - artforum.com

    FERREIRA GULLAR. By Sérgio B. Martins. Ferreira Gullar in his Copacabana home, Rio de Janeiro, August 1, 2013. Photo: Cecília Acioli/Folhapress. FIRST-TIME VISITORS to the poet Ferreira Gullar’s apartment were often struck by his homemade replicas of works by Piet Mondrian and Alexander Calder.

  6. Dec 13, 2016 · Brazil’s greatest living poet and art critic, Ferreira Gullar, passed away at the age of eighty-six on December 4 in Rio. In 1959, he wrote the “Manifesto Neoconcreto” and created the livro-poema (poem-book), inviting the manipulation of the observer at the poem’s reading, a decisive step in the comprehensive concept embraced ...

  7. Mar 24, 2017 · Gullar was deeply influenced by what he described as Artaudsquestion of the body,” a complexity Gullar explored by disintegrating verbal syntax to the point of imploding it in the concluding poems of his seminal A luta corporal (The Body’s Struggle, 1954).