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  1. en.wikipedia.org › wiki › Sam_NewfieldSam Newfield - Wikipedia

    Sam Newfield, born Samuel Neufeld (December 6, 1899 – November 10, 1964), also known as Sherman Scott or Peter Stewart, was an American director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958.

  2. Nov 25, 2007 · The director of more than 250 feature films, as well as numerous shorts and television series episodes, in a career that spanned four decades, from 1923 to 1958, Newfield leaves behind him only his work on the set; next to nothing is known of his personal life.

  3. www.imdb.com › name › nm0627864Sam Newfield - IMDb

    Sam made films in just about every conceivable genre (science-fiction, westerns, crime thrillers, horror, comedy), and while most were routine at best (and embarrassingly inept and/or incoherent at worst), there were a few bright spots among the dross: Lost Continent (1951), a sci-fi epic he made for low-budget specialist Lippert Pictures in ...

  4. Brother of Sigmund Neufeld, head of PRC Studios. Generally considered to be the most prolific film director (as opposed to cartoon director) in the history of American cinema, with estimates of his output in the 300+ range over a career that began in the silent era and lasted until the late 1950s.

  5. Sam Newfield, born Samuel Neufeld, (December 6, 1889 – November 10, 1964) also known as Sherman Scott or Peter Stewart, was an American B-movie director, with over two hundred and fifty feature films to his credit.

  6. www.wikiwand.com › en › Sam_NewfieldSam Newfield - Wikiwand

    Sam Newfield, born Samuel Neufeld, also known as Sherman Scott or Peter Stewart, was an American director, one of the most prolific in American film history—he is credited with directing over 250 feature films in a career which began during the silent era and ended in 1958.

  7. Sep 10, 2020 · Comedies, musicals, Westerns, horror films, jungle pictures, crime dramas, espionage thrillers – Sam Newfield did them all, often on budgets of fewer than $20,000 per feature and shooting schedules of as little as three days.