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  1. Helena Coan is a British director and writer who works in both narrative and documentary. Her latest narrative work is the short horror film BLOOD RITES, produced by BBC Films. BLOOD RITES has screened at prestigious US genre film festivals including Fantastic Fest and Beyond Fest, as well as numerous BAFTA and BIFA-recognised festivals in the UK.

  2. Nov 30, 2020 · Through her work in films and her cult-like following as a timeless fashion and pop-culture icon, she has a most profound impact on her audience, including teens and tweens. Those new fans across the world discover her over and over, also on social media, and find out what she looked like, who she was, and what she really stood for.

  3. 1,946 Followers, 855 Following, 208 Posts - Helena Coan (@helenajanecoan) on Instagram: "filmmaker⚡️⚔️ looking to start a cult i mean commune when not making films i make ceramics @fallowclay 🌱".

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  4. Dec 18, 2020 · Film Inquiry recently had the chance to speak with the film’s director, Helena Coan, about her experience crafting the project, including her impressions of Hepburn’s insecurities and her humanitarian work, as well as her intimate decision to incorporate dance into the film. This interview has been edited for clarity.

  5. Nov 28, 2020 · Writer/director Helena Coan has spent the last two-and-a-half years finding out. In her second documentary film, Audrey, she digs into Hepburn’s personal history: from growing up in the Nazi-occupied Netherlands to her Unicef charity work in Somalia and Bangladesh.

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  6. Oct 21, 2020 · If you’re Helena Coan, director of the forthcoming Audrey, you start with the Oscar winners love of ballet. Coan partnered with the Royal Ballet’s Wayne McGregor to choreograph dance-based “portraits” of the Funny Face legend for the project – interweaving them with never-before-seen archive footage of Hepburn’s movies ...

  7. Mar 29, 2024 · The Lie: The Murder of Grace Millane examines the 2018 death of a 21-year-old British backpacker. Director Helena Coan pairs social media footage with exceptional editing, courtesy of Chiara Armentano and Andrew Hulme, resulting in much more than Dateline -like storytelling.