2018
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1 day ago · Kirk Morri returned as the editor from the first film, and Nick Davis served as the visual effects supervisor, having previously worked on The Dark Knight (2008). Nearly each frame in the film featured visual effects, [102] [114] which were provided by Cinesite , DNEG , Industrial Light & Magic (ILM), Moving Picture Company (MPC), Scanline VFX , [117] and Rodeo FX .
Jun 23, 2024 · Ahsoka creator Dave Filoni, and ILM’s production visual effects supervisor Richard Bluff, animation supervisor Paul Kavanaugh, and visual effects supervisor Enrico Damm discuss the show.
Jun 12, 2024 · Rodeo FX completed 60 visual effects shots for Arrival, the alien visitation movie from acclaimed director Denis Villeneuve (Sicario, Prisoners, Enemy). Working once again with VFX supervisor Louis Morin, the studio helped create a gravity shift sequence, multiple aircrafts, and digi-doubles of actors.
Jun 21, 2024 · One imaginative brain trust. Join creator Dave Filoni, Production Visual Effects Supervisor Richard Bluff, Animation Supervisor Paul Kavanagh, and Visual Effects Supervisor Enrico Damm for a roundtable discussion on the visual effects of Lucasfilm's hit Disney+ series 'Ahsoka'.
3 days ago · The new studio was scheduled to open in 2023 in Pyrmont and would be headed by VFX supervisor Andrew Jackson. It lead the visual effects for George Miller's Furiosa: A Mad Max Saga. Services and divisions Visual effects. DNEG started as a visual effects (VFX) studio specialised in VFX for feature films.
Jun 19, 2024 · VFX Breakdowns. A 30min roundtable on the VFX of ‘Ahsoka’? Yes, please. Ahsoka creator Dave Filoni, and ILM's production visual effects supervisor Richard Bluff, animation supervisor Paul Kavanaugh, and visual effects supervisor Enrico Damm. June 23, 2024. VFX Breakdowns. Check out this official ‘Fallout’ VFX breakdown.
Jun 18, 2024 · Learn about lens profiling in VFX, and more. June 18, 2024. by Ian Failes. A recent webinar from Framestore’s Robert Winter about his work on ‘Rebel Moon’ includes a very interesting section on matching the specific lenses used on the film. There’s also lots of other areas covered.
