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Sound Recording - Metro-Goldwyn-Mayer Studio Sound Department, A. W. Watkins, Sound Director
The 26th Academy Awards were held on March 25, 1954, simultaneously at the RKO Pantages Theatre in Hollywood (hosted by Donald O'Connor), and the NBC Center Theatre in New York City (hosted by Fredric March).
Best Motion PictureBest DirectorFrom Here to Eternity – Buddy Adler for ...Fred Zinnemann – From Here to Eternity ‡ ...William Holden – Stalag 17 as J. J.Audrey Hepburn – Roman Holiday as ...Frank Sinatra – From Here to Eternity as ...Donna Reed – From Here to Eternity as ...From Here to Eternity – Daniel Taradash ...Titanic – Charles Brackett, Walter Reisch ...- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
The Caine Mutiny – Stanley Kramer The Country Girl – William Perlberg On the Waterfront – Sam Spiegel Seven Brides for Seven Brothers – Jack Cummings Three Coins in the Fountain– Sol C. Siegel
The Country Girl – George Seaton The High and the Mighty – William Wellman On the Waterfront – Elia Kazan Rear Window – Alfred Hitchcock Sabrina– Billy Wilder
Humphrey Bogart – The Caine Mutiny Marlon Brando – On the Waterfront Bing Crosby – The Country Girl James Mason – A Star Is Born Dan O’Herlihy – Adventures of Robinson Crusoe
Dorothy Dandridge – Carmen Jones Judy Garland – A Star Is Born Audrey Hepburn – Sabrina Grace Kelly – The Country Girl Jane Wyman – Magnificent Obsession
Lee J. Cobb – On the Waterfront Karl Malden – On the Waterfront Edmond O’Brien – The Barefoot Contessa Rod Steiger – On the Waterfront Tom Tully – The Caine Mutiny
Nina Foch – Executive Suite Katy Jurado – Broken Lance Eva Marie Saint – On the Waterfront Jan Sterling – The High and the Mighty Claire Trevor – The High and the Mighty
Bread, Love and Dreams – Ettore Margadonna Broken Lance – Philip Yordan Forbidden Games – François Boyer Night People – Jed Harris, Tom Reed There’s No Business Like Show Business– Lamar Trotti
“Count Your Blessings Instead Of Sheep” – White Christmas – Music, Lyrics by Irving Berlin “The High And The Mighty” – The High and the Mighty – Music by Dimitri Tiomkin; Lyrics by Ned Washington “Hold My Hand” – Susan Slept Here – Music, Lyrics by Jack Lawrence, Richard Myers “The Man That Got Away” – A Star Is Born – Music by Harold Arlen; Lyrics...
The Caine Mutiny – William A. Lyon, Henry Batista The High and the Mighty – Ralph Dawson On the Waterfront – Gene Milford Seven Brides for Seven Brothers – Ralph E. Winters 20,000 Leagues under the Sea– Elmo Williams
The Country Girl – John F. Warren Executive Suite – George Folsey On the Waterfront – Boris Kaufman Rogue Cop – John Seitz Sabrina– Charles Lang, Jr.
George Seaton was nominated for two-Oscar winner The Country Girl (Seaton's screenplay for the film was honored with an Oscar for Best Screenplay). William Wellman (who won his only Oscar for Original Story for the earliest film version of A Star is Born (1937) ), was nominated for The High and the Mighty.
Back to History. ACOUSTIC INSTRUMENTS FOR SALE. List of Academy Awards for Songs. The first awards were given in 1927, the same year as the first sound film, The Jazz Singer. No musical awards for songs were included until 1934. If you want to use any of this information: Please see the Terms of Usage – Usage Policy Terms of Usage – Usage Policy.
DateSongFilmComposers2022Naatu NaatuRRRM.M. Keeravani, Chandrabose2021No Time To DieNo Time To DieBillie Eilish, Finneas O’Connell2020Fight For YouJudas and the Black MessiahH.E.R., D’Mile, Tiara Thomas2019(I’m Gonna) Love Me AgainRocketmanElton John, Bernie TaupinMar 1, 2014 · At the 26th Academy Awards in 1954, William Lyon, A.C.E., won his first of two Best Editing Oscars, while supervising sound editor John P. Livadary (with two previous wins) and the Columbia Studio Sound Department took the Best Sound Recording Award for their work on Fred Zinneman’s From Here to Eternity (1953).
When the 26th Academy Awards hit the airwaves on Thursday, March 25, 1954, it was again a bi-coastal affair, with Donald O’Connor hosting the LA portion from the RKO Pantages and Fredric March handling the NYC end of things from the NBC Century Theatre.