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Izuru Narushima (成島 出, Narushima Izuru, born 1961) is a Japanese scriptwriter and film director from Yamanashi Prefecture. In 2011, his film Rebirth was awarded the Japanese Academy Prize for best picture.
- Profile
- Director
- Screenwriter
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NameIzuru NarushimaJapanese:成島出Birthdate:April 16, 1961Birthplace: Yamanashi, JapanMovies
1. To Each His Own| Chotto Ima Kara Shigoto Yamete Kuru (2017) 2. Dragon(2016) 3. A Chair on the Plains| Sougen no Isu (2013) 4. The Brain Man| No Otoko (2013) 5. The Climbers High(2008) 6. Runin: Banished(2004) 7. The Laughing Frog| Warau kaeru (2002) 8. An Adolescent| Shôjo (2001) 9. The Boy Who Saw the Wind| Kaze wo mita shônen (2000) 10. Shabu gokudo(1996) 11. Osaka Gokudo Senso: Shinoidare(1994)
TV Movies
1. Saiaku(BS-TBS / 2001)
"Picture of the Year" ("Rebirth") - 2012 (35th) Japan Academy Prize- March 2, 2012"Director of the Year" ("Rebirth") - 2012 (35th) Japan Academy Prize- March 2, 2012"Best Picture" ("Rebirth") - 2011 (36th) Hochi Film Awards- November 29, 2011Izuru Narushima was born on 16 April 1961 in Yamanashi, Japan. He is a director and writer, known for Kokô no mesu (2010), Solomon's Perjury (2015) and Cape Nostalgia (2014).
- Izuru Narushima
- April 16, 1961
Jan 6, 2023 · Izuru Narushima. Born in 1961. From Kofu City, Yamanashi prefecture. Narushima has been making independent films since he was a student, and his film Midori Onna was selected for the Pia Film Festival.
Mar 18, 2024 · “Each is a theme upon which a movie can be made,” said director Izuru Narushima. Before he finished the screenplay, he held rehearsals with Sugisaki, Shison and other actors for a week to hear...
Name Izuru Narushima Japanese: 成島出 Birthdate: April 16, 1961 Birthplace: Yamanashi, Japan Director. Father Of The Milky Way Railroad | Ginga Tetsudo no Chichi (2023) Familia (2023) A Morning of Farewell | Inochi no Teishajo (2021) Goodbye | Goodbye: Uso kara Hajimaru Jinsei Kigeki (2020) To Each His Own | Chotto Ima Kara Shigoto Yamete ...
Jun 7, 2017 · Izuru Narushima's 'To Each His Own' is a serious treatment of the theme of 'black companies' that flirts with fantasy in its first half but shades to heart-warming melodrama in...
