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* Sound Effects Editing - Charles L. Campbell, Louis L. Edemann * Special Achievement Award - Special Award * Visual Effects - Ken Ralston, Richard Williams, Edward Jones, George Gibbs
Pages in category "Best Sound Editing Academy Award winners". The following 53 pages are in this category, out of 53 total. This list may not reflect recent changes .
The 61st Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best films of 1988 and took place on Wednesday, March 29, 1989, at the Shrine Auditorium in Los Angeles, beginning at 6:00 p.m. PST / 9:00 p.m. EST.
The Academy Award for Best Sound Editing is an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound editing or sound design. The award is usually received by the Supervising Sound Editors of the film, perhaps accompanied by the Sound Designers.
Career and awards. Campbell won Academy Awards for Best Sound Editing for the following films: 1989 Who Framed Roger Rabbit; 1986 Back to the Future; 1983 E.T. the Extra-Terrestrial; In addition, he was nominated for an Academy Award for Best Sound Editing for the 1990 film Flatliners.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for ...
SOUND EDITING. Baby Driver – Julian Slater. Blade Runner 2049 – Mark Mangini, Theo Green. Dunkirk – Richard King, Alex Gibson. The Shape of Water – Nathan Robitaille, Nelson Ferreira. Star Wars: The Last Jedi – Matthew Wood, Ren Klyce.
