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  1. Carol Fenelon. Music Department: Wonder Boys. Carol Fenelon is known for her work with Curtis Hanson as a Music Supervisor and Film Producer. She is also the CEO of Deuce Three Productions.

  2. Mar 6, 2017 · He owned the home with his longtime friend and business partner Carol Fenelon, who inherited full ownership of the property after Hanson’s death, according to property records.

    • I. Preproduction
    • II. Auditions
    • III. Production
    • IV. A Real Battle Breaks Out
    • V. The Writing
    • VI. The Battles
    • VI. The End

    Carol Fenelon (executive producer):We went to Detroit three months before we started shooting. Paul Rosenberg (Eminem’s manager and executive producer):Before we put the camera up to shoot one frame, we took everybody around the city, to all the spots that the story was based on. We went to the basement at [music venue] Saint Andrew’s: the Shelter....

    Miller:We shot that right after New Year’s. It was cold outside in Detroit. And Paul Rosenberg was conducting [audition] battles out and about in the cold. Rosenberg:I’m pretty sure Ox [who played Lotto, Eminem’s second-round battle competitor] was brought in by Steve Stoute. Strike [who played Lyckety-Splyt, Eminem’s first-round battle competitor]...

    Rosenberg:We worked very hard [on] the authenticity. They’d line up 20 extras and say, “OK, do these people look right? Do they look like the people that’d be watching this battle?” Fenelon:We wanted the feel of a boxing match, or some kind of underground sporting event. It had a more down-and-dirty look, a more rough warehouse look than the actual...

    Miller:They built the set based on the actual place where [Em] and Proof used to do the battles. Rosenberg:The actual exterior was a facade. People drive around Detroit looking for that building. It doesn’t exist. Miller:It might as well be real because it was nothing but young, hungry dudes there. Including us. Byrd:The energy was electric. The DJ...

    Silver: At the time, my career was over. I’d written and directed a movie called The Mod Squad, and it was an awful experience, and I couldn’t get a job anywhere. So I took my own life experience as a failure, and I used that. Every scene in the movie, everywhere [Rabbit] goes, someone reminds him of that failure when he chokes at the beginning. Wh...

    https://www.youtube.com/watch?v=SApMrvgGd2M The iconic beats used in the scenes — Showbiz & AG’s “Next Level (Nyte Time Mix),” Onyx’s “Last Dayz,” and, in the climactic battle, Mobb Deep’s “Shook Ones (Part II)”— were selected by Rosenberg. Rosenberg:We whittled it down based on what was available — a lot of records weren’t cleared properly, so the...

    Byrd:Those battle scenes: Man, you could feel that Detroit really, really loved those scenes. And I don’t care how many times I see it — I always remember how exciting that was. Phifer: When I really knew was in the battle scenes; the crowd, the extras, they made those battle scenes. The rhymes were dope, but the extras were … They made it hype. Be...

  3. Access contact info, org charts, active projects and more for Carol Fenelon and 80,000+ other executives and producers. Visit Luminate Film and TV.

    • President
    • Deuce Three Productions
    • Eminem Strategically Dissed Himself In Rap Battles In Real Life. Think of the final rap battle between B-Rabbit and Papa Doc as the moment in the Western when the good guy finally squares up against the bad guy in the movie's climactic duel.
    • 'Lose Yourself' Took A Year And A Half To Complete. It took the songwriting team of Eminem, Jeff Bass, and Luis Resto a year and a half to complete "Lose Yourself."
    • 'Lose Yourself' Became The First Rap Song To Win An Oscar. "Lose Yourself" made music history in 2003 at the 75th Academy Awards when the song became the first hip hop tune to win the Oscar for Best Original Song.
    • A Lot Of The Costumes Were Sourced From Detroit-Area Thrift Stores. Most films have the goal of making everything on screen appear as realistic as possible.
  4. Carol Fenelon is known as an Producer, Music Supervisor, Co-Executive Producer, and Executive Producer. Some of her work includes In Her Shoes, The Big Year, Lucky You, Too Big to Fail, and Three Rivers.

  5. Carol Fenelon, Co-Executive Producer. Too Big To Fail. HBO. A Spring Creek and A Deuce Three Production in association with HBO Films. The Television Academy database lists prime-time Emmy information. Click here to learn more. Carol Fenelon: bio, photos, awards, nominations and more at Emmys.com.