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  1. oval.bandcamp.com › album › szenariodiskSzenariodisk | Oval

    Jan 1, 1999 · Trailblazing glitch masterpieces (1990s), hyperreal, futuristic post-rock (after 2010), club bangers with a twist (2016) - Oval is a celebration of innovation, skill & sensibility. With an undeniable instinct for the pleasantly irritating, the drastic & the dreamy, M. Popp keeps on pushing the envelope.

  2. en.wikipedia.org › wiki › Oval_(musical_project)Oval (musical project) - Wikipedia

    Oval is an electronic music group founded in Germany in 1991 by Markus Popp, Sebastian Oschatz, Frank Metzger and Holger Lindmüller. The group pioneered glitch music, writing on CDs to damage them and produce music with the resulting fragments. [1]

  3. www.discogs.com › master › 14235-Oval-SzenariodiskOval - Szenariodisk | Releases | Discogs

    Explore the tracklist, credits, statistics, and more for Szenariodisk by Oval. Compare versions and buy on Discogs.

    • (77)
    • Electronic
    • 25
    • Glitch, Abstract, Experimental

  4. www.discogs.com › release › 5908-Oval-SzenariodiskOval – Szenariodisk (1999, CD) - Discogs

    Jul 6, 1999 · View credits, reviews, tracks and shop for the 1999 CD release of "Szenariodisk" on Discogs.

    • (62)
    • US
    • 13
    • CD, EP

  5. www.allmusic.com › album › szenariodisk-mw0000602193Szenariodisk - Oval | Album | AllMusic

    Jun 22, 1999 · AllMusic provides comprehensive music info including reviews and biographies. Get recommendations for new music to listen to, stream or own.

  6. pitchfork.com › features › resonant-frequencyA Glitch in Time: How Oval’s 1995 Ambient Masterpiece ... -...

    Oct 5, 2015 · They heard the music on CD, but the experimental music project founded by Germans Markus Popp, Frank Metzger, and Sebastian Oschatz first allowed us to listen to the format itself.

  7. ccrow.net › blog › oval-szenariodisk-thrill-064Oval – Szenariodisk [thrill 064] | https://ccrow.net/

    On Szenariodisk, Popp puts his many hats to work in creating a cerebral, complex result. One hears echoes of the click-oriented compositions of Nobukazu Takemura combined with electronic-sounding feedback, vaguely vocal-sounding samples, and a plain old synthesizer.