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Xu Bing (Chinese: 徐冰; pinyin: Xú Bīng; born 1955) is a Chinese artist who served as vice-president of the Central Academy of Fine Arts. He is known for his printmaking skills and installation art, as well as his creative artistic use of language, words, and text and how they have affected our understanding of the world.
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Xu Bing was born in Chongqing, China in 1955 and raised in Beijing. He enrolled in the Printmaking Department of the Central Academy of Fine Arts in Beijing in 1977, completed his studies in 1981, and later joined the faculty. He went on to earn a master's degree from the same institution in 1987.
Xu Bing Art Satellite Creative Residency Project. 2024 2023. Monkeys Grasp for the Moon. 2023 Background Story: Autumn Colors on the Qiao and Hua Mountains. 2023 2022. Background Story: Woodcutter in Winter Mountains . 2022 Living Word. 2021-2022 ...
Xu Bing works confront how meaning is generated and consumed through language, to consider message, and its dissemination.
Xu Bing is a contemporary Chinese installation artist and one of China’s best-known creative figures. View Xu Bing’s 431 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
Xu Bing (Chinese: 徐冰; pinyin: Xú Bīng; born 1955) is a Chinese artist who served as vice-president of the Central Academy of Fine Arts. He is known for his printmaking skills and installation art, as well as his creative artistic use of language, words, and text and how they have affected our understanding of the world.
Xu Bing is a Chinese artist who served as vice-president of the Central Academy of Fine Arts. He is known for his printmaking skills and installation art, as well as his creative...
Born in Sichuan Province, Xu Bing studied printmaking at the Central Academy of Fine Arts in Beijing. Book from the Sky and other projects have brought him considerable international renown. He moved to the United States in 1990 but returned to China in 2008 to teach at his alma mater.
Created with materials as varied as tobacco, construction debris, and surveillance-camera footage, Xu Bing’s installations remain elegant and poignant, at once revering and questioning cultural traditions and challenging viewers’ preconceived assumptions.
