Yahoo Web Search

Search results

  1. Oval is an electronic music group founded in Germany in 1991 by Markus Popp, Sebastian Oschatz, Frank Metzger and Holger Lindmüller. The group pioneered glitch music, writing on CDs to damage them and produce music with the resulting fragments. [1]

  2. oval.bandcamp.com › album › ovalcommersovalcommers | Oval

    Jan 5, 2001 · Includes unlimited streaming of ovalcommers via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ships out within 3 days Purchasable with gift card

    • Ovalcommers Oval (musical project)1
    • Ovalcommers Oval (musical project)2
    • Ovalcommers Oval (musical project)3
    • Ovalcommers Oval (musical project)4
  3. www.thrilljockey.com › products › ovalcommersovalcommers - Thrill Jockey

    The 6th full length release from Markus Popp (aka Oval) finds this world renowned digital mastermind extending the concept & musical platform of last year's acclaimed Ovalprocess in every way. Exploring a spectrum of sounds between the abrasive sandblast of neo desktop rock (tracks 1-3) and the alienating, timeless splendor of DSP chamber music.

  4. The 6th full length release from Markus Popp (aka Oval) finds this world renowned digital mastermind extending the concept & musical platform of last year's acclaimed Ovalprocess in every way. Exploring a spectrum of sounds between the abrasive sandblast of neo desktop rock (tracks 1-3) and the alienating, timeless splendor of DSP chamber music.

  5. May 22, 2001 · It's clear that Oval has left pastures of beauty behind and is ready to ride wild and free in Merzbow country. Calling this album ambient is a joke; with Ovalcommers, Popp brings the noise.

  6. Ovalcommers, an Album by Oval. Released in July 2001 on Thrill Jockey (catalog no. thrill 103; CD). Genres: Glitch. Rated #171 in the best albums of 2001, and #9762 of all time album.. Featured peformers: Markus Popp (performer).

  7. May 11, 2023 · The longest-gestating record in Oval’s history, arriving nine years after Ovalcommers, O was inspired by Popp’s immersion into a project that was, above all, musical rather than defined by process or generative sequences.