Search results
Ronald Mann (born June 13, 1958) is a Canadian documentary film director. [1] [2] [3] [4] His work includes the films Imagine the Sound (1981); Comic Book Confidential (1988); Grass (1999) and Go Further (2003), both of which feature Woody Harrelson ; In the Wake of the Flood (2010), which features author Margaret Atwood ; and Altman ...
Jun 3, 2016 · Ron Mann is one of Canada’s foremost documentary filmmakers and an influential member of the Toronto New Wave. A self-described “cultural historian,” Mann makes idiosyncratic films that typically focus on alternative subjects and marginalized subcultures.
SHORT BIOGRAPHY. Toronto filmmaker Ron Mann is one of Canada's foremost documentary filmmakers. Mann established his international reputation while in his twenties with a series of award-winning theatrical documentaries, including Imagine the Sound (1981), Poetry in Motion (1982), Comic Book Confidential (1988), Twist (1992), and Grass (1999).
- 50 Baldwin Street Toronto, ON, M5T 1L4 Canada
- mike@filmswelike.com
Acclaimed director Ron Mann delves into the captivating rise and fall of Clairtone, an audacious Canadian electronics company founded by Peter Munk and David Gilmore during the vibrant 1960s. Renowned for their high-end stereos and color televisions that epitomized iconic mid-century design, Clairtone soared to international acclaim, becoming a ...
A true wunderkind, documentary filmmaker Ron Mann made his first feature, the celebrated Imagine the Sound, at the age of 21. He began making short films while in high school and studied briefly at Vermont’s Bennington College before receiving a B.A. in film from the University of Toronto.
ron mann related news 5 Defining Moments: Aljamain Sterling The bantamweight champion will carry a seven-fight winning streak into his title defense opposite T.J. Dillashaw in the UFC 280...
Ron Mann. To say that Poetry in Motion, Ron Mann’s 1982 documentary, is the greatest poetry documentary of all time doesn’t really quite give the film its due. Thirty years on, the film still holds up as an anthology and time capsule, one that’s on a par with or even surpasses its print inspiration, Donald Allen’s New American Poetry ...
