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Special Effects - Visual Effects by A. Arnold Gillespie; Audible Effects by Milo Lory
The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980 .
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
America America – Elia Kazan Cleopatra – Walter Wanger How the West Was Won – Bernard Smith Lilies of the Field – Ralph Nelson Tom Jones– Tony Richardson
America America – Elia Kazan The Cardinal – Otto Preminger Federico Fellini’s 8-1/2 – Federico Fellini Hud – Martin Ritt Tom Jones– Tony Richardson
Albert Finney – Tom Jones Richard Harris – This Sporting Life Rex Harrison – Cleopatra Paul Newman – Hud Sidney Poitier – Lilies of the Field
Leslie Caron – The L-Shaped Room Shirley MacLaine – Irma La Douce Patricia Neal – Hud Rachel Roberts – This Sporting Life Natalie Wood – Love with the Proper Stranger
Nick Adams – Twilight of Honor Bobby Darin – Captain Newman, M.D. Melvyn Douglas – Hud Hugh Griffith – Tom Jones John Huston – The Cardinal
Diane Cilento – Tom Jones Dame Edith Evans – Tom Jones Joyce Redman – Tom Jones Margaret Rutherford – The V.I.P.s Lilia Skala – Lilies of the Field
Captain Newman, M.D. – Richard L. Breen, Phoebe Ephron, Henry Ephron Hud – Irving Ravetch, Harriet Frank, Jr. Lilies of the Field – James Poe Sundays and Cybele – Serge Bourguignon, Antoine Tudal Tom Jones– John Osborne
“Call Me Irresponsible” – Papa’s Delicate Condition – Music by James Van Heusen; Lyrics by Sammy Cahn “Charade” – Charade – Music by Henry Mancini; Lyrics by Johnny Mercer “It’s A Mad, Mad, Mad, Mad World” – It’s a Mad, Mad, Mad, Mad World – Music by Ernest Gold; Lyrics by Mack David “So Little Time” – 55 Days at Peking – Music by Dimitri Tiomkin; ...
The Cardinal – Louis R. Loeffler Cleopatra – Dorothy Spencer The Great Escape – Ferris Webster How the West Was Won – Harold F. Kress It’s a Mad, Mad, Mad, Mad World– Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.
The Balcony – George Folsey The Caretakers – Lucien Ballard Hud – James Wong Howe Lilies of the Field – Ernest Haller Love with the Proper Stranger– Milton Krasner
This film was the first winner of the newly-named Academy Award for FX - Best Achievement in Special Visual Effects. (After 1963, the category was split into two: Best Special Visual Effects and Best Sound Effects.)
The 35th Academy Awards, honoring the best in film for 1962, were held on April 8, 1963, at the Santa Monica Civic Auditorium in Santa Monica, California, hosted by Frank Sinatra. The year's most successful film was David Lean 's Lawrence of Arabia , with 10 nominations and 7 wins, including Best Picture and Lean's second win for Best Director .
Best PictureBest DirectorLawrence of Arabia – Sam Spiegel, ...David Lean – Lawrence of Arabia Frank ...Gregory Peck – To Kill a Mockingbird as ...Anne Bancroft – The Miracle Worker as ...Ed Begley – Sweet Bird of Youth as Tom ...Patty Duke – The Miracle Worker as Helen ...Divorce Italian Style – Ennio de Concini, ...To Kill a Mockingbird – Horton Foote ...The Academy Award for Best Visual Effects is an Academy Award that recognizes the finest or most outstanding visual effects in film. The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1928...
The 36th Academy Awards, honoring the best in film for 1963, were held on April 13, 1964, hosted by Jack Lemmon at the Santa Monica Civic Auditorium in Santa Monica, California. This ceremony introduced the category for Best Sound Effects, with It's a Mad, Mad, Mad, Mad World being the first film to win the award.
