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  1. Nico Mastorakis (Greek: Νίκος Μαστοράκης; born 28 April 1941 in Athens, Greece) is a Greek filmmaker and radio producer. He is probably best known for his 1973 live interview of 17 arrested Greek students, which happened without their consent, in favor of the Greek military junta.

  2. Nico Mastorakis. Producer: Blind Date. Nico Mastorakis, a veteran in the independent film business, is founder and owner of Omega Pictures and Omega Entertainment, and who has been writing and directing movies for over 40 years, with "Island of Death", "Hired to Kill", "Nightmare at Noon", "Zero Boys" and "In The Cold Of The Night" and others ...

    • January 1, 1
    • 1.75 m
    • Athens, Greece
    • Producer, Director, Writer
  3. Nico Mastorakis, a veteran in the independent film business, is founder and owner of Omega Pictures and Omega Entertainment, and who has been writing and directing movies for over 40 years, with "Island of Death", "Hired to Kill", "Nightmare at Noon", "Zero Boys" and "In The Cold Of The Night" and others enjoying a dedicated cult following.

    • April 28, 1941
  4. Dec 20, 2022 · The hellraiser from Hallas, the Grecian guru of pulp cinema, and the awe-inspiring Athenian are just some of the fitting descriptors of film director, writer, novelist, and musician, Nico Mastorakis.

  5. Be it capraphiliac carnage in Island of Death (1974), drag comedy in The Naked Truth (1992) or even his award-winning documentary Mykonos, the Soul of an Island (2018), Mastorakis has carved an eclectic career in film for over forty years.

  6. Nico Mastorakis. Biography. Greek filmmaker, director, radio producer, founder and owner of Omega Pictures and Omega Entertainment who has been writing and directing movies for over 40 years, with "Island of Death", "Hired to Kill", "Nightmare at Noon", "Zero Boys" and "In The Cold Of The Night" and others enjoying a dedicated cult following.

  7. Nico Mastorakis: In the seventies, Greek cinema made a shy transition from conservative to provocative, when from mainstream melodramas, comedies and pseudo-historical epics, a section of the Greek film makers turned to soft porn – with survival being their only motivation.