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  1. I am a sociologist and political economist, working on diverse topics, including neoliberalism, happiness science, environmental politics and anti-expert politics. What links this work is an interest in the interface of knowledge and power, drawing on the work of Michel Foucault, Luc Boltanski and Max Weber.

    • 020 7717 3376
    • Co-Head of The Department
    • w.davies@gold.ac.uk
  2. William Davies (sometimes credited William Davis or Will Davies) is an English screenwriter and producer. He has written and co-written a number of films including Twins (1988), The Real McCoy (1993), [1] the Johnny English franchise (2003-2018), Alien Autopsy (2006), Flushed Away (2006), How to Train Your Dragon (2010), Puss in Boots (2011 ...

  3. The Limits of Neoliberalism. About. Contact. Speaking. Articles. Interviews. Open Search. ‘How the Tories pushed universities to the brink of disaster’. Long Read for The Guardian, as part of a series on 14 years of Conservative rule, on the crisis facing universities and its political roots. July 2, 2024 0. ‘Fever dream’.

  4. Feb 27, 2022 · In the lecture, Davies explores how the digitisation of our public sphere has made trust harder to establish, as the ideal of “facts” has been challenged by that of “real-time data,” and ...

    • 85 min
    • 568
    • Matrixssdo Departmental
  5. Jun 23, 2022 · Created for Netflix by Rowan Atkinson and Will Davies, Man Vs Bee is a new physical comedy that draws on Atkinson's Mr Bean heritage as a physical comedian. Man Vs Bee follows Trevor Bingley (Rowan Atkinson), a bumbling father who takes up a new job as a professional housesitter.

    • Martin Shore
    • Will Davies1
    • Will Davies2
    • Will Davies3
    • Will Davies4
    • Will Davies5
  6. In 2022 Uber acquired Car Next Door with an ambition to scale peer-to-peer car-sharing globally. Will is focused on building businesses that reduce the amount of CO2 emitted by humans and help...

    • Uber Carshare
  7. Mar 10, 2020 · Will Davies, the showrunner of The Letter for the King, talks about how he adapted the classic Dutch fantasy novel for a modern audience. He reveals how he modernized the story, worked with cultural consultants, and made the series feel real and relevant.