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Jean-Claude Brialy (30 March 1933 – 30 May 2007) was a French actor and film director.
Jean-Claude Brialy, né le 30 mars 1933 à Aumale en Algérie et mort le 30 mai 2007 à Monthyon ( Seine-et-Marne ), est un acteur, réalisateur, scénariste et écrivain français .
Dec 15, 2021 · Près de quinze ans après la disparition de Jean-Claude Brialy, son dernier compagnon Bruno Finck est mort. L'amour entre les deux hommes a débuté sur fond de Festival de Cannes, ils avaient...
Jean-Claude Brialy. Director: Églantine. One of the most popular and respected actors to come from the French "New Wave" film movement, Jean-Claude Brialy was born to a military family, which included one brother, in French colonial Algeria on March 30, 1933.
May 31, 2007 · Jean-Claude Brialy, a dashing leading man of the French New Wave films of the 1960s and ’70s, died on Wednesday in Paris. He was 74. His death, of cancer, was confirmed by the president of...
Jun 1, 2007 · Jean-Claude Brialy, a dashing leading man of the French New Wave films of the 1960s and ’70s, died Wednesday in Paris. He was 74. His death, of cancer, was confirmed by the president of France,...
Jean-Claude Brialy. Director: Églantine. One of the most popular and respected actors to come from the French "New Wave" film movement, Jean-Claude Brialy was born to a military family, which included one brother, in French colonial Algeria on March 30, 1933.
Jun 8, 2007 · Prolific screen and legit thesp, writer and director Jean-Claude Brialy, who graced the earliest frames of the then-nascent French New Wave in shorts and features by Rivette, Godard, Truffaut,...
Jean-Claude Brialy. Actor/Director. 30 March 1933 to 29 May 2007. A star of the French nouvelle vague, Brialy's breakthrough came in Chabrol's Le Beau Serge (1958). Over 50 years he appeared in 185 movies, as well as television and stage productions.
Over the next few years, Jean-Claude Brialy became one of the most familiar faces of the French New Wave - and it was a milieu that suited him perfectly. He was the natural counterpoint to the arm-waving buffoonery of Jean-Paul Belmondo and the working class boyish naivety of Jean-Pierre Léaud.
