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  1. Vera Vsevolodovna Baranovskaya (Russian: Вера Всеволодовна Барановская; 1885 – 7 December 1935) was a Russian Empire and Soviet actress. She performed in more than twenty films between 1916 and 1935.

  2. Nov 26, 2017 · The title character (Vera Baranovskaya) is made the unwitting tool in the arrest of her revolutionary son, Pavel (Nikolai Batalov), and becomes a part of the workers’ movement that aids his escape. During the film’s initial release in 1926, it received unanimous accolades because of its dramatic narrative and positive ...

  3. Born in Russia around 1870; died in 1935; studied with Constantin Stanislavski. A favorite of Constantin Stanislavski, Vera Baranovskaya was a leading lady of the Moscow Art Theater when she was chosen to play the lead in Vsevolod Pudovkin 's classic movie The Mother in 1926.

  4. www.imdb.com › title › tt0017128Mother (1926) - IMDb

    With Vera Baranovskaya, Nikolay Batalov, Aleksandr Chistyakov, Anna Zemtsova. A story about a family torn apart by a worker's strike. At first, the mother wants to protect her family from the troublemakers, but eventually she realizes that her son is right and the workers should strike.

    • (3.1K)
    • Drama
    • Vsevolod Pudovkin
    • 1934-05-29
  5. Vera Baranovskaya was born on 7 March 1885 in St. Petersburg, Russian Empire [now Russia]. She was an actress, known for Takový je zivot (1930), Mother (1926) and Konets Sankt-Peterburga (1927). She died on 7 December 1935 in Paris, France.

  6. Tonka of the Gallows (Czech: Tonka Šibenice, French: Tonischka, German: Die Galgentoni) is a 1930 Czech drama film directed by Karl Anton and starring Ita Rina, Vera Baranovskaya and Josef Rovenský. It is an adaptation of the novella Die Himmelfahrt der Galgentoni by Egon Erwin Kisch.

  7. The post-revolutionary coda, in which the Bolshevik worker's wife (Vera Baranovskaya) encounters the young peasant at the bombed-out Winter Palace, embraces tearjerking uplift that wouldn't have felt a whit out of place in a contemporaneous Hollywood movie, if not for the conspicuous fact that part of the uplift comes from the characters' final ...