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  1. en.wikipedia.org › wiki › Gino_CorradoGino Corrado - Wikipedia

    Born in Florence, Italy, Corrado is considered to have one of the most impressive filmographies of any actor; for example, he is the only actor to appear in Gone With The Wind, Citizen Kane and Casablanca, three of the leading films of Hollywood's Golden Age. He played Aramis in The Iron Mask (1929). [5]

  2. www.imdb.com › name › nm0180679Gino Corrado - IMDb

    Gino Corrado was an Italian-born actor who appeared in over 1,000 films, mostly as a waiter or chef. He was in classics like Casablanca, Citizen Kane, and Gone with the Wind, and was honored by the Three Stooges Fan Club.

    • January 1, 1
    • Florence, Tuscany, Italy
    • January 1, 1
    • Woodland Hills, Los Angeles, California, USA
  3. Actor: Two Sisters from Boston. Gino Corrado is best known as the waiter in most of the films from Hollywood's Golden Age. He appeared in such popular and beloved films as Casablanca, Citizen Kane, and Gone with the Wind.

    • Actor, Soundtrack
    • December 23, 1982
    • February 9, 1893
  4. Gino Corrado (born Gino Corrado Liserani; 9 February 1893 - 23 December 1982) was an Italian-born American screen actor, his career spanning the years 1916 to 1954. During the early years of his career he was extensively credited as Eugene Corey.

  5. Apr 5, 2024 · This Actor Is the Only Person to Appear in 'Gone with the Wind,' 'Citizen Kane,' and 'Casablanca'. Gino Corrado starred in over 400 films, often in a role as a waiter. Despite only playing...

    • Victor Fleming, George Cukor, Sam Wood
    • Feature Writer
    • Thomas Mitchell
  6. Gino Corrado (born Gino Corrado Liserani) was an actor from the Golden Age of Hollywood having appeared in over 400 films. Born in 1893, his story begins with his sailing to America aboard a steamer from Florence, Italy in 1900.

  7. The personal correspondence, contracts, and photographs of one unknown actor, Gino Corrado, gives us new insights into the history of film. Tracing Corrado’s personal story, this dissertation, told as a microhistory, ilucidates major issues in motion picture history such as labor disputes, political loyalties, ethnic affiliations, and the ...