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  1. en.wikipedia.org › wiki › Paul_SanchezPaul Sanchez - Wikipedia

    Paul Sanchez (born November 6, 1959) is a New Orleans-based American guitarist and a singer-songwriter. Sanchez was a founding member of the New Orleans band Cowboy Mouth. He was a guitarist and one of the primary singers and songwriters for the band from 1990 to 2006.

  2. Paul Sanchez transforms audiences with his unique blend of music and storytellingat once powerful, sad, humorous, entertaining, and hopeful. Like many New Orleanians, Paul was tremendously impacted by Hurricane Katrina, having lost his home.

  3. Apr 27, 2019 · Fans may know native New Orleanian Paul Sanchez as a founding member of the rock band Cowboy Mouth, with whom he has 11 albums; for his role in the HBO series TREME where he played himself; or as the creative force behind the musical NINE LIVES, a musical adaptation of the best-selling novel by Dan Baum.

  4. Paul Sanchez transforms audiences with his unique blend of music and storytelling – at once powerful, sad, humorous, entertaining, and hopeful.

  5. www.imdb.com › name › nm0584052Paul Sanchez - IMDb

    Paul Sanchez. Director: Platoon: Brothers in Arms. Paul is a native Californian, equally proud of his Mexican-American and Native-American roots. After graduating high school, Paul received an athletic scholarship to the University of Hawaii, graduated with two degrees and decided to try his luck as an actor.

    • 1.93 m
    • 10 min
    • Director, Producer, Writer
  6. www.youtube.com › user › paulsanchezmusicPaul Sanchez - YouTube

    Watch videos of Paul Sanchez, a singer-songwriter and member of The Rolling Road Show, performing solo and with other artists in New Orleans. Explore his songs, covers, and playlists of punk, new wave, and rock music.

  7. About. Twice GRAMMY®-nominated pianist and composer Paul Sánchez has been praised as a “great artist” (José Feghali; Cecilia Rodrigo), “the ideal interpreter… performing with clear virtuosity” (Fanfare Magazine), for his “clarity, sensitivity” (The New Yorker), and “prodigious technical capacities” (The Rehearsal Studio).