Tonio Kroeger
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Tonio Kröger (German: [ˈtoːni̯o ˈkʁøːɡɐ] ⓘ) is a novella by Thomas Mann, written early in 1901, when he was 25. It was first published in 1903. A. A. Knopf in New York published the first American edition in 1936, translated by Helen Tracy Lowe-Porter.
Tonio Kröger ist eine 1903 erschienene Novelle Thomas Manns, deren Titelheld, der unverkennbar autobiographische Züge trägt, zwischen Künstlertum und Bürgerlichkeit einen unüberbrückbaren Gegensatz sieht. Sie entstand in der Zeit vom Dezember 1900 bis zum November 1902. Erstdruck der Novelle
Tonio Kröger is a novella written by Thomas Mann in his early period and published in 1903. In it, Mann addresses the theme of the separation of the world of art from that of everyday life, as well as where the artist stands between the two.
Tonio Kröger, novella by Thomas Mann, originally published in German in 1903. The partially autobiographical work explores the problem of the artist who, in his devotion to his craft, confronts the antithesis of spirit and life. From earliest childhood Tonio Kröger is aware of his separation from.
Tonio Kröger. Thomas Mann, J. White (Editor) 3.73. 7,112 ratings397 reviews. A title in the Bristol Classical Press German Texts series, in German with English notes, vocabulary and introduction.
Nov 4, 2007 · Tonio Kröger by Thomas Mann. Read now or download (free!) Similar Books. Readers also downloaded… In DE Prosa. About this eBook. Free kindle book and epub digitized and proofread by volunteers.
The central argument is that Tonio Kröger, the eponymous hero of this novella, is a poet who clearly corresponds to the schizoid character type as defined by Anthony Storr (1972).
Tonio Krdger is Mann's semi-autobiographical story of a disillusioned writer who rediscovers his love for humanity.
Discussion of themes and motifs in Thomas Mann's Tonio Kröger. eNotes critical analyses help you gain a deeper understanding of Tonio Kröger so you can excel on your essay or test.
Jul 19, 2013 · The creativity which Tonio engages in is that of a lyric poet, but at the end his new-found distanced commitment to Leben seems to issue in a decision to become a prose writer, analysing and observing character much as Mann himself did.
