Yahoo Web Search

Search results

  1. en.wikipedia.org › wiki › Tadashi_ImaiTadashi Imai - Wikipedia

    Tadashi Imai (今井正, Imai Tadashi, January 8, 1912 – November 22, 1991) was a Japanese film director known for social realist filmmaking informed by a left-wing perspective. His most noted films include An Inlet of Muddy Water (1953) and Bushido, Samurai Saga (1963).

  2. www.imdb.com › name › nm0408033Tadashi Imai - IMDb

    Tadashi Imai. Director: Rice. Known for his social realist films, the Japanese director Tadashi Imai was mostly interested in depicting the tragedies of human life. Often described as 'nakanai realism', or 'a realism without tears', Imai's films show the hard struggles of the poor.

  3. Apr 1, 2024 · Greetings from the New President (Representative Director, President and COO Tadashi Imai) Apr. 1, 2024. Nippon Steel Corporation. The Nippon Steel Group will seize global growth opportunities, become a pioneer in decarbonization, and take a giant step forward as the “Best Steelmaker with World-leading Capabilities.”. 1.

  4. May 11, 2018 · Tadashi Imai (1912-1991) was one of Japan's most prolific and controversial 20th-century film directors. He infused his staunch left-wing political views into almost all his films, sometimes succeeding in combining masterful art with social criticism, but at other times crafting didactic films that succeeded only as propaganda.

  5. Tadashi Imai. Director: Rice. Known for his social realist films, the Japanese director Tadashi Imai was mostly interested in depicting the tragedies of human life. Often described as 'nakanai realism', or 'a realism without tears', Imai's films show the hard struggles of the poor.

  6. Family name: 今井. Birthday: Jan 8, 1912. Website: Member Favorites: 1. More: Birth place: Tokyo, Japan. Date of death: November 22, 1991. One of Japan's most prolific and controversial 20th-century film directors.

  7. Tadashi IMAI (January 8, 1912 - November 22, 1991) was a film director in Japan during the Showa period. Having mainly created social films, he was a great filmmaker representing leftist humanism in Japanese cinema after World War II.