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  1. Péter Bacsó (6 January 1928 – 11 March 2009) was a Hungarian film director and screenwriter. After high school graduation Bacsó wanted to become an actor and later a theatre director, but ultimately decided to try filmmaking.

  2. www.imdb.com › name › nm0045880Péter Bacsó - IMDb

    Péter Bacsó was born on 6 January 1928 in Kosice, Czechoslovakia [now Slovakia]. He was a writer and director, known for Forró vizet a kopaszra! (1972), Nyár a hegyen (1967) and Jelenidö (1972). He died on 11 March 2009 in Budapest, Hungary.

    • January 1, 1
    • Kosice, Czechoslovakia [now Slovakia]
    • January 1, 1
    • Budapest, Hungary
  3. www.bafta.org › heritage › in-memory-ofPéter Bacsó | BAFTA

    Péter Bacsó. Director/Writer. 6 January 1928 to 11 March 2009. A filmmaker whose work frequently pointed out uncomfortable truths in his native Hungary, Bacsó came to prominence internationally with Summer on the Hill (1967) and The Witness (1969).

  4. He made his most famous film, A tanú (The Witness) in 1969, but it was banned at the time and wasn't r. Péter Bacsó was a Hungarian film director and screenwriter. After high school graduation Bacsó wanted to become an actor and later a theatre director, but ultimately decided to try filmmaking.

    • (37)
    • March 11, 2009
    • January 6, 1928
  5. Jun 6, 1979 · The Witness: Directed by Péter Bacsó. With Ferenc Kállai, Lajos Öze, Zoltán Fábri, Béla Both. Banned for over a decade for its outspoken criticism of the post-WWII communist regime in Hungary, Péter Bacsó's 'The Witness' has since then achieved unparalleled cult status in its native land.

    • (7.8K)
    • Drama, Comedy
    • Péter Bacsó
    • 1979-06-06
  6. Kassán született, édesanyja Palotai Boris zsidó származású írónő volt, apja Böhm Alfréd hivatalnok. [8] Családja 1940-ben, a vidéki holokauszt elől költözött Budapestre, ő már itt fejezte be gimnáziumi tanulmányait. 1946-ban felvették a Színház- és Filmművészeti Főiskolára, ahol 1950-ben diplomázott.

  7. Sep 10, 2012 · Bureaucratically blocked in its homeland for a decade, Bacsó's anti-Stalinist comedy confronts the historical trauma of the post-war purges and show trials with.