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  1. Grigori Mikhailovich Kozintsev (Russian: Григорий Михайлович Козинцев; 22 March [O.S. 9 March] 1905 – 11 May 1973) was a Soviet theatre and film director, screenwriter and pedagogue. He was named People's Artist of the USSR in 1964. In 1965 he was a member of the jury at the 4th Moscow International Film ...

  2. Hamlet ( Russian: Гамлет, romanized : Gamlet) is a 1964 film adaptation in Russian of William Shakespeare 's play of the same title, based on a translation by Boris Pasternak. It was directed by Grigori Kozintsev and Iosif Shapiro [ ru], and stars Innokenty Smoktunovsky as Prince Hamlet .

  3. Grigoriy Kozintsev. Director: Hamlet. Grigori Mikhailovich Kozintsev was born on March 22, 1905, in Kiev, Russian Empire (now Kiev, Ukraine). His father, named Mikhail Kozintsev, was a medical doctor. Young Kozintsev studied at the Kiev Gymnazium.

    • January 1, 1
    • Kiev, Russian Empire [now Ukraine]
    • January 1, 1
    • Director, Writer, Producer
  4. Sep 22, 2017 · The Story Behind The Screenplay is a series by Martin Keady that examines the origins of some of the greatest screenplays ever written. It continues with an examination of the story behind one of the greatest Shakespeare films ever made, Grigori Kosintsev’s Hamlet. Shakespeare’s Hamlet is not only (by common, if not universal ...

    • Grigori Kozintsev1
    • Grigori Kozintsev2
    • Grigori Kozintsev3
    • Grigori Kozintsev4
  5. King Lear (Russian: Король Лир, romanized: Korol Lir) is a 1971 Soviet drama film directed by Grigori Kozintsev, based on William Shakespeare's play King Lear. The film uses Boris Pasternak 's translation of the play, while the Fool's songs are translated by Samuil Marshak .

  6. Jun 27, 2024 · The career of Grigori Kozintsev (1905-73) as an interpreter of Shakespeare in Russian theatre, cinema and literary criticism is a striking illustration of this maxim. Kozintsev’s road to his two Shakespeare films was long and not very easy.

  7. May 28, 2006 · The career of Grigori Kozintsev (1905-73) as an interpreter of Shakespeare in Russian theatre, cinema and literary criticism is a striking illustration of this maxim. Kozintsev’s road to his two Shakespeare films was long and not very easy.