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  1. en.wikipedia.org › wiki › OssessioneOssessione - Wikipedia

    Ossessione ([ossesˈsjoːne], "Obsession") is a 1943 Italian crime drama film directed and co-written by Luchino Visconti, in his directorial debut. It is an unauthorized and uncredited adaptation of the 1934 novel The Postman Always Rings Twice by American author James M. Cain , and stars Clara Calamai , Massimo Girotti , and Juan ...

  2. Ossessione è un film del 1943 diretto da Luchino Visconti, liberamente ispirato al romanzo Il postino suona sempre due volte di James M. Cain. È considerato, insieme a I bambini ci guardano e 4 passi fra le nuvole, il film che segna la nascita del filone neorealista del cinema italiano per l'ambientazione e per la forza espressiva ...

  3. Documentary about Luchino Visconti’s "Ossessione", a 1943 Italian film based on the 1934 novel The Postman Always Rings Twice by James M. Cain. Starring Clara Calamai, Massimo Girotti.

    • 22 min
    • 2073
    • Journey To The Center Of The Cinema
  4. Ossessione is in very bad state but is now undergoing a full restoration at Digital Film Lab in Copenhagen. The material used is a "Master positive" 2nd generation originally from the print Visconti managed to hide from the fascists.

    • (8.3K)
    • Crime, Drama, Romance
    • Luchino Visconti
    • 1949-05-24
  5. Review by theriverjordan ★★★★ 62. “Ossessione” was neorealism born out of pulpy domestic desperation. Debatably the first film in a movement more notable for depicting rubble-strewn postwar streets, “Ossessione” chose to enter inside the era’s sheets.

    • (8.3K)
    • Industrie Cinematografiche Italiane (ICI)
    • Luchino Visconti
  6. Alexandra Heller-Nicholas Senses of Cinema A landmark film in both Neo-Realist and giallo traditions, the legacy of Ossessione lives and breathes in every frame.

    • (15)
    • Crime, Drama
  7. Feb 4, 2016 · Ossessione (1943) is a film adaptation of James M. Cain's The Postman Always Rings Twice, but also a radical challenge to Fascist Italy and a precursor of Italian Neo-Realism. The film explores the destructive power of sexual passion and the social conditions that drive its characters to crime and despair.