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  1. Hand-painted 35mm film, color, silent, 75 min. Welcome to “Handmade Cinema”—a site that lets you explore the world of artisanal moving image production by providing information on the practices and themes of a sampling of the field’s major figures.

    • Practices

      Synthetic film-sound practice transforms the film apparatus...

  2. Synthetic film-sound practice transforms the film apparatus from a reproductive medium into a productive one, and simultaneously blurs the epistemological distinction between hearing and seeing in a way that recasts the very nature of cinematic engagement.

  3. Many handmade films and artworks result from collaboration. Light shows and early computer films, in particular, are emblematic practices wherein artists of different backgrounds working together to foster new ways of making images move.

  4. Mar 8, 2013 · Handmade cinema isn’t just something we would experience in art galleries or experimental performances; we can find traces of it in more recent popular films. Zinman mentioned Edgar Wright’s...

  5. Jun 9, 2013 · A documentary about the unsung yet deeply essential craftspeople, collective collaborators in the filmmaking creative process. Directed by Italian filmmaker by Guido Torlonia, and featured in the Open Roads: New Italian Cinema series at NYC's Lincoln Center in June 2013.

  6. Gregory Zinman’s excellent new book on movies made (or remade) through the direct, often tactile engagement of artists and their filmstrips, video-feedback loops, and myriad other animated oozes and vibrant viscosities, Making Images Move: Handmade Cinema and the Other Arts is everything one wants in this age of over-scribbling at the margins ...

  7. HandMade Films. Cofounded by former Beatle George Harrison in 1978, the storied production studio and distribution company HandMade Films gave new life to British cinema in the 1980s, taking chances on risky projects and first-time directors to bring audiences future classics like THE LONG GOOD FRIDAY, WITHNAIL AND I, and Terry Gilliam’s TIME ...