2000
Search results
Nov 25, 1998 · The Mirror: Directed by Jafar Panahi. With Mina Mohammad Khani, Kazem Mojdehi, Naser Omuni, M. Shirzad. When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself.
Year: 1997. Original title: Ayneh. Synopsis: When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself.You can watch The Mirror through flatrate on the platforms: Criterion Channel.
The Mirror ( Ayneh) is Panahi’s second film and was released in 1997. In order to appreci ate The Mirror, it is useful to reflect on certain conditions of the Iranian film scene. Films about children have a universal appeal, but with the social restrictions in place since the 1979 Iranian revolution, making movies about children in Iran has a ...
Directed by Jafar Panahi. When a young girl’s mother doesn’t meet her after school, she tries to navigate the streets of Tehran by herself. Remove Ads. Cast. Crew. Details. Genres. Releases. Mina Mohammad Khani Kazem Mojdehi Naser Omuni M. Shirzad T. Samadpour. 95 mins More at IMDb TMDb. Sign in to log, rate or review. Share. Ratings. 49 fans 4.0.
Directed by Jafar Panahi • 1997 • Iran. Starring Mina Mohammad Khani, Aida Mohammadkhani, Kazem Mojdehi. Iranian master Jafar Panahi explores the interplay of imagination and reality in this slyly inventive meta-film marvel.
A child’s-eye adventure in the vein of his classic The White Balloon, Jafar Panahi’s meta film playfully unravels its own neorealist premise. Endearingly delightful to follow, the journey of a little girl through Tehran’s sea of people and traffic is subtly grounded in its sociopolitical realities.
Aug 25, 1997 · Popular on Variety. On the bus, she silently observes the life around her: an old widow moaning about young people’s manners, a young man and woman eyeing each other across the crowd,...
When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, world renowned director Jafar Panahi (The White Balloon, Crimson gold) has wrapped a blunt political critique inside the layers of a deceptively simple film.
