A Factory Worker
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Modern Times is a 1936 American part-talkie comedy film produced, written and directed by Charlie Chaplin. In Chaplin's last performance as the iconic Little Tramp, his character struggles to survive in the modern, industrialized world. The film also stars Paulette Goddard, Henry Bergman, Tiny Sandford and Chester Conklin .
Modern Times: Directed by Charles Chaplin. With Charles Chaplin, Paulette Goddard, Henry Bergman, Tiny Sandford. The Tramp struggles to live in modern industrial society with the help of a young homeless woman.
Charlie Chaplin - Factory Scene - Modern Times (1936) - YouTube. 4.15M subscribers. 650K. 95M views 5 years ago. • And time marches on into the late afternoon... Modern Times © Roy Export...
Jun 13, 2024 · Modern Times, American silent film, released in 1936, that starred Charlie Chaplin as a man at odds with modern technology. It is regarded as the last great silent film. The film, which was set during the Great Depression, centres on a luckless factory worker (played by Chaplin) who finds himself.
This comedic masterpiece finds the iconic Little Tramp (Charlie Chaplin) employed at a state-of-the-art factory where the inescapable machinery completely overwhelms him, and where...
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Oct 19, 2010 · Watch the trailer of Modern Times, the classic comedy film by Charlie Chaplin, where he portrays a factory worker struggling to cope with the industrialized world. See how he faces hilarious ...
Modern Times, Charlie Chaplin’s last outing as the Little Tramp, puts the iconic character to work as a giddily inept factory employee who becomes smitten with a gorgeous gamine (Paulette Goddard).
Description : Subjected to the infernal production rate of the factory, a model worker suddenly has a nervous breakdown and goes mad. From hospital, to prison, to unemployment, the Little Tramp gets caught up in the sprockets and cogs of modern industrialization.
Modern Times Synopsis. Charlie is a factory worker in this hectic age - a minor cog in the grinding wheels of industry. His job -mechanically tightening bolts on a moving belt. The monotony of the work drives him beserk.
Industrial modernity proves mercilessly madcap in Charlie Chaplin’s final (mostly) silent feature, one of the most inspired and ingenious of all his comedies. Nine years after the arrival of film sound, the silent cinema’s biggest star remained reluctant to leap into the new world.
