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Charlie Brooker lampshades the absurdity of having to un-fix a perfectly fine shot in post in order to demonstrate the kind of mistake that needs fixing in post, and calls the whole thing a "pain in the arse".
- Color Grading
- Time & Cost
- VFX Alternatives
Just about all professionally shot productions—whether for theatrical/streaming release or for big-budget ads—shoot either in raw or in some kind of flat picture profile. These low saturation, low contrast profiles allow the camera to preserve more visual information and give the editor or colorist more flexibility in post. Some of you reading this...
The whole issue of “fix it in post” comes down to two issues: time and cost. Oftentimes, the decision to fix it in post is made because some stakeholder with the power to make the call (i.e., a director, producer, ad exec client, etc.) makes the decision because they think doing so will save time and cost. Right? Something happens on set, or some a...
Likewise, there are some alternatives to visual effects you can use that will save a ton of money in post. Instead of adding thousands, and in some cases, tens of thousands of dollars in post-production VFX, you might get creative and shoot in a way that eliminates the need for the VFX. You change an exterior shot to interior to eliminate the need ...
Jul 15, 2022 · “Fix it in post” is a phrase within the film world which means to acknowledge a known issue on set that, at face value, appears to be more efficient, and cost effective to correct in post-production with some sort of special effects, such as visual effects, or VFX, such as CGI, color grading, or compositing, or post sound editing ...
Apr 7, 2021 · The author argues that these phrases are outdated and creativity-killing for photographers. He suggests teaching new photographers to pay attention to details, learn their cameras, and use post-production efficiently and creatively.
Apr 25, 2024 · Know The Difference Between Correct Exposure And Creatively Correct Exposure. 5 reasons to get it right in-camera and not fix it in post. The problem with “Fix it in post” and “Get it right in the camera” The Secret To Correct Exposure With Any DSLR Camera – Revealed for the First Time
- News Editor
- 7 min
'Fix it in Post’ is a practice in the film industry that most editors frown upon but some filmmakers have a weakness for. But what are the problems with taking this approach?
Feb 25, 2014 · 26. 2.6K views 10 years ago. A group of ill fated indie filmmakers battle the elements, a crazy cat lady, a group of douche bag filmmakers, and zombie...
- 4 min
- 2.7K
- Christine Parker
