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  1. en.wikipedia.org › wiki › SteamboySteamboy - Wikipedia

    Steamboy (Japanese: スチームボーイ, Hepburn: Suchīmubōi) is a 2004 Japanese animated steampunk action film produced by Sunrise and directed and co-written by Katsuhiro Otomo, his second major anime release as a director, following Akira (1988). The film was released in Japan by Toho on July 17, 2004.

  2. Mar 18, 2005 · Animation Action Adventure. In 1860s Britain, a boy inventor finds himself caught in the middle of a deadly conflict over a revolutionary advance in steam power. Directors. Shinji Takagi. Katsuhiro Ôtomo. Writers. Sadayuki Murai. Katsuhiro Ôtomo. Stars. Anna Paquin. Patrick Stewart. Alfred Molina. See production info at IMDbPro. STREAMING. +5.

    • (19K)
    • Animation, Action, Adventure
    • Shinji Takagi, Katsuhiro Ôtomo
    • 2005-03-18
  3. Jun 26, 2024 · Currently you are able to watch "Steamboy" streaming on Amazon Prime Video, Amazon Prime Video with Ads or for free with ads on The Roku Channel, Tubi TV, Pluto TV, Freevee, Amazon Prime Video with Ads.

    • (286)
    • Katsuhiro Otomo
    • PG-13
    • 30
  4. England of the 1860s receives a technological remake in this animated adventure. Ray (Anna Paquin) is a brilliant young inventor who follows in the footsteps of his father, Eddie (Alfred Molina ...

    • (93)
    • Katsuhiro Ohtomo
    • PG-13
    • Sci-Fi, Anime
  5. Oct 14, 2004 · After receiving a package from his grandfather, Ray, a young inventor who lives in England during the mid-19th century, finds himself caught in the middle of a deadly conflict related to a revolutionary advance in steam power.

  6. With more than 180,000 drawings and 400 CG cuts, Steamboy is one of the most elaborate animated features ever created. Steamboy will be brought to life with an outstanding ensemble voiceover cast including Anna Paquin (X-Men), Patrick Stewart (X-Men), and Alfred Molina (Spider-man 2).

  7. The subversion of the typical adolescent male fantasy — caped superhero in Akira, steam-powered tanks and weaponry in Steamboy — is thrown out the window in the final third as the film suddenly pivots to actual capeshit, a narrative tangent that’s summed up through a series of stills…