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  1. en.wikipedia.org › wiki › Eric_KhooEric Khoo - Wikipedia

    Eric Khoo Kim Hai (born 27 March 1965) is a Singaporean film director and producer who is often credited for the revival of the Singapore modern film industry. [1] Early life and education. Eric Khoo and Jeanette Aw At Books Kinokuniya, Ngee Ann City, Singapore For the DVD Premiere of Ramen Teh.

  2. Jan 29, 2020 · Eric Khoo is known for being the local filmmaker involved in several award-winning projects, including "Mee Pok Man" and "Ramen Teh". But what many people wouldn't know is that his career...

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  3. Eric Khoo is a Singaporean director who revived the local film industry and put Singapore on the international map. He has made several acclaimed films, such as My Magic, Tatsumi and Be With Me, and served as a jury member at Cannes and other festivals.

  4. Feb 11, 2019 · Award winning film maker and Cultural Medallion recipient Eric Khoo who helms Zhao Wei Films has been credited for reviving the Singapore film industry and for putting Singapore onto the International film map in 1995.

  5. www.imdb.com › name › nm0451799Eric Khoo - IMDb

    Eric Khoo is a Cultural Medallion recipient and award winning film maker who has revived the Singapore film industry and put it on the international map. He has directed, produced and written films such as Be with Me, Tatsumi, 12 Storeys and Food Lore, and has been invited to major film festivals such as Cannes, Berlin and Venice.

    • January 1, 1
    • Producer, Director, Writer
    • Singapore
    • Eric Khoo
  6. www.tatlerasia.com › people › eric-khooEric Khoo | Tatler Asia

    Eric Khoo is a Singaporean filmmaker who revived the local film industry in the 1990s and produced award-winning works. He is also the founder and CEO of Zhao Wei Films, a production company named after the late actress Zhao Wei.

  7. His focus on social realism. Khoo’s first feature length film Mee Pok Man (1995) features bleak social drama infused with angst-filled melancholy. According to Raphael Millet (2015), it “single-handedly revived the Singapore film industry”.

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