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Diana Vreeland (September 29, 1903 [2] – August 22, 1989) was an American fashion columnist and editor. She worked for the fashion magazine Harper's Bazaar and as editor-in-chief at Vogue, later becoming a special consultant to the Costume Institute of the Metropolitan Museum of Art.
Apr 24, 2024 · Diana Vreeland (born July 29, 1903, Paris, France—died August 22, 1989, New York, New York, U.S.) was an American editor and fashion expert whose dramatic personality and distinctive tastes marked her successful leadership of major American fashion magazines during the mid-20th century.
Diana Vreeland is even more vital and relevant today than at the time of her death in 1989. While her reputation in the fashion world is well known, the actual breadth of her career and extent of her reach is immeasurable.
Aug 26, 2011 · Diana Vreeland, one of history's most celebrated editors, brought her imagination and wit to life on the pages of Harper's Bazaar.
Jul 14, 2011 · ‘Beware of the legend!” Diana Vreeland once cautioned the photographer Horst. As the 20th century’s most formidable arbiter elegantiarum, Vreeland knew what it meant to be venerated.
Sep 21, 2012 · Diana Vreeland worked at Harper's Bazaar for 25 years as fashion editor. She then took over as the editor-in-chief of Vogue until 1971. "I think I always had a perfectly clear...
Aug 23, 1989 · Diana Vreeland, the legendary fashion editor and creator of spectacular fashion exhibitions at the Metropolitan Museum of Art in New York City, died of a...
Dec 31, 2012 · Diana Vreeland had a troubled childhood; her mother often told her she was ugly. But she later became editor-in-chief of American Vogue and one of the country's most revered fashion icons.
Sep 6, 2011 · Diana Vreeland, who died in 1989, is hardly an unknown figure in the worlds of fashion and journalism, with several books and even a critically acclaimed one-woman play having explored her...
Diana Vreeland did that with éclat and with an uncanny sense for drama and style. By the same token, when we extol her love of extravagance and opulence or her ability to turn even a monk's cowl into a glamorous object, we should remember that even Mrs. Vreeland's most successful tableaux were achieved by dint of hard work.
