1997
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6 days ago · Robert Altman crafted a satirical tale for the ages in 'The Long Goodbye', but one mystery was more important to the director than the rest.
3 days ago · Prêt-à-Porter, released in the United States as Ready to Wear (Prêt-à-Porter), is a 1994 American satirical comedy-drama film co-written, directed, and produced by Robert Altman [3] and shot on location during the Paris Fashion Week with a host of international stars, models, and designers. [4]
3 days ago · The movie "Nashville" from the director Robert Altman filmed on location in Music City in the summer of 1974.
6 days ago · Robert Altman, 1980. Photograph by Bernard Gotfryd. When Barbara Baxley died in June of 1990, Dave and Oli Brubeck asked me to help them prepare a memorial service for their friend. We reached out to people to invite to the service, or to say something about the actress.
21 hours ago · But the entire point of subversion is to undermine authority, the way “ Walk Hard: The Dewey Cox Story ” subverted the musician biopic, or the films of Robert Altman subvert every genre.
2 days ago · Brat Summer is over. ‘California Split’ summer is here. Let the Robert Altman classic — which turns 50 today — help you make good choices.
1 day ago · So: LA Confidential, Chinatown, The Long Goodbye —the Robert Altman adaptation, which feels almost like you’re just wandering around Los Angeles in a dreamy haze, bouncing from place to place—plus the first movie by Rian Johnson, who does the Knives Out series now, which was called Brick.
3 days ago · – Robert Altman feierte mit „Gosford Park' einen seiner größten Triumphe. Mit feinem Humor und genauer Beobachtungsgabe zeichnet der Altmeister ein Porträt der britischen Klassengesellschaft.
3 days ago · Recalling the work of Robert Altman and Richard Linklater, but with a touch of Tsai Ming-liang, Eephus (its title referring to a curveball so slow it confuses the batter) is a film about the passage of time—both the hours of the day and one era fading into another.
3 days ago · Recalling the work of Robert Altman and Richard Linklater, but with a touch of Tsai Ming-liang, Eephus (its title referring to a curveball so slow it confuses the batter) is a film about the passage of time—both the hours of the day and one era fading into another.
