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  1. Sep 23, 1994 · Ebert praises the film as an allegory about holding onto personal worth and friendship in prison, based on a Stephen King story. He admires the performances of Tim Robbins and Morgan Freeman, and the direction of Frank Darabont.

    • Red

      That is the truth that Kieslowski keeps returning to in his...

    • Roger Deakins

      The Shawshank Redemption (1994) Roger Ebert....

    • Frank Darabont

      A review of Spike TV's adaptation of Stephen King's The...

    • Rita Hayworth

      Marie writes: the ever intrepid Sandy Khan recently sent me...

    • William Sadler

      Marie writes: Behold a truly rare sight. London in 1924 in...

    • Tim Robbins

      The Shawshank Redemption (1994) Roger Ebert. Andy Dufresne....

  2. Oct 17, 1999 · A classic prison drama about hope, friendship and redemption, based on a Stephen King story. Ebert praises the film's calm, observant tone, its spiritual arc and its actors, especially Morgan Freeman as the narrator.

  3. Sep 23, 2016 · While the story roils with some rousing prison-type action and is coarsened by an overpowering sense of frustration, The Shawshank Redemption is really about the unlikely friendship between...

  4. Mar 4, 2024 Full Review Jay Boyar Orlando Sentinel The Shawshank Redemption is both resigned and inspirational, grittily realistic and vaguely surreal, matter-of-fact and operatic.

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    • Frank Darabont
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    • Tim Robbins
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  5. Feb 16, 1994 · The Shawshank Redemption Review. US Lawyer is sent to Shawshank prison for life, charts his experiences, friendships and influences on the prison whilst maintaining his innocence. by Ian Nathan...

  6. The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently ...

  7. The Shawshank Redemption is both resigned and inspirational, grittily realistic and vaguely surreal, matter-of-fact and operatic. Somehow, these opposites are combined into a remarkably smooth...