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One Night of Love is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story Don't Fall in Love, by Charles Beahan and Dorothy Speare.
Apr 24, 2009 · The Wonderful American born Soprano sings this very famous song from the film "One Night of Love", composed by Victor Schertzinger
From the 1934 film of the same name. This was Grace Moore's most successful film.Digital audio restoration 2021.Enjoy!
May 20, 2019 · Popular title song from the 1934 Columbia Pictures musical. For her lead role in the film, famed Metropolitan Opera star Moore was nominated for an Academy Award. ...more.
With Grace Moore, Tullio Carminati, Lyle Talbot, Mona Barrie. Mary, an aspiring opera singer, trains under famed maestro Guilio Monterverdi. Their professional relationship turns romantic amid hard work and clashes, but jealousy and misunderstandings hinder their love's expression.
One Night Of Love Lyrics: One Night of Love / Grace Moore / (V. Schertzinger) / One Night Of Love / When two hearts are one / A night to have and hold / When love is gone and...
Grace Moore . (V. Schertzinger) One Night Of Love. When two hearts are one, A night to have and hold. When love is gone and starlight grows cold. One Night Of Love. When love is all that I'll recall. When at the break of dawn. I find my lover gone. I'll whisper with a smile. I've lived a little while.
One Night of Love is a 1934 American romantic musical movie directed by Victor Schertzinger and was adapted from the novel Don't Fall in Love. It stars Grace Moore, Lyle Talbot, Tullio Carminati, Mona Barrie, Jessie Ralph and was distributed by Columbia Pictures.
One Night Of Love When two hearts are one, A night my heart may hold When love is gone and starlight grows cold. One Night Of Love When love is all That I'll recall. When at the break of dawn I find my lover gone I'll whisper with a smile I've lived a little while I've known One Night Of Love.
Moore's best quasi-operetta, about a young American diva rebelling in response to her demanding Italian teacher. “Pygmallion”-like story has her falling in love with her maestro.
