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In addition to the old pre-2017 stories, the original Tales of the Veils site had lots of other goodies. Browse through the archived pages below to find some gems: News articles; Real-life Veiling Experiences; The Lure of the Veil; Special Features; Video and Book Reviews; Veiling Dictionary; Story Suggestions; Old TOTV Updates
- Velatur Tales
The Velatur family is characterised primarily by its women...
- Updates
Updates – Tales of the Veils. The Fatimian Church, the new...
- Velatur Tales
This site aims to provide a wealth of fiction regarding veiling and orientalist fantasy. The odalisque waiting in the harem bath, love under an Arabian sky, vision growing dimmer as every extra layer of veiling is lowered over her eyes, passing out one day and waking up to find that she is in a life….
Jun 16, 2023 · Updates – Tales of the Veils. The Fatimian Church, the new face of catholicism. by André Russau, July 10th 2037 « The devil has succeeded in infiltrating evil under cover of good, and in leading into error and deceiving souls having a heavy responsibility through the place which they occupy…. They are blind men guiding other blind men… ».
The Velatur family is characterised primarily by its women wearing veils. This is generally a niqab-based style when inside, with an Afghan shuttlecock burka (chadri) added for outside. What the women wear underneath their veils varies a lot but gags and other restrictions are common.
I started writing about corsets and Victorian-style dress. I then moved onto veiling erotica and established the site Tales of the Veils. I now have my own site with a mixture of both and some other things thrown in.
The Thousand and One Nights tales are filled with stories, comic or tragic of misunderstandings caused by the veil. Probably the most famous is the story of the Dance of Seven Veils performed by Scheherazade.
Oct 13, 2021 · The Three Veils of Ibn Oraybi, a novella by Vincent Czyz, reviewed by Jeffrey Kahrs. The Three Veils of Ibn Oraybi is packed with literary juice: It’s mythical like magical realism, yet historical in that we detect Ottoman and Caucasian outlines enclosing the edges of the tale.
