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As silver-haired U.S. Senator Ransom Stoddard and his lovely wife, Hallie, return to the godforsaken town of Shinbone to bury Tom Doniphon, an old friend, pressing questions arise. And cornered by the prying editor-in-chief of the local Star newspaper, the congressman, then a fledgeling lawyer, recounts the story of how he came to know Tom and contended with vicious state agitator Liberty ...
From the 1962 John Ford film, "The Man Who Shot Liberty Valance," with John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O'Brien, Andy Devine, Ken Murray, John Carradine, Jeanette Nolan ...
- 3 min
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- HD Film Tributes
Questions arise when Senator Stoddard (James Stewart) attends the funeral of a local man named Tom Doniphon (John Wayne) in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance (Lee Marvin). As the territory's safety hung in the balance, Doniphon and Stoddard, two of the ...
Sep 25, 2023 · “The Man Who Shot Liberty Valance” Ending Explained: A Twist of Truth and Justice John Ford’s 1962 Western classic, “The Man Who Shot Liberty Valance,” is a gripping tale of lawlessness, honor, and the blurred lines between truth and legend. The film’s ending, in particular, leaves viewers with a sense of ambiguity and raises thought-provoking
The Man Who Shot Liberty Valance rides into town as a classic entry in the Paramount Centennial Collection. Director Ford brings us to the lawless frontier village of Shinbone, a town plagued by a larger-than-life nemesis, Liberty Valance (Marvin).
The Man Who Shot Liberty Valance (1962) was another nostalgic and memorable B/W John Ford-directed film about the passing of the Old West and the rise of civilization - it was his last great film. James Stewart and Wayne memorably starred together in this picture as contrasting characters - it was their first co-starring appearance in their ...
The Man Who Shot Liberty Valance is an entertaining and emotionally involving western. Yet, while it is an enjoyable film it falls distinctly shy of its innate story potential.
