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  1. "The MVP however is easily Burwell’s nuanced score that charts the textured emotional and moral journey of Ray Kroc." - Rodrigo Perez, The Playlist, Jan. 18, 2017. "One of the movie’s best assets is the jovial score by Carter Burwell, which underlines Kroc’s deceptively likable, greasy spiel.

  2. www.carterburwell.com › projects › LegendCarter Burwell - Legend

    Produced by Tim Bevan. Composed, Orchestrated and Conducted by Carter Burwell Music Editor: Adam Smalley Music Scoring Mixer: Mike Farrow Recorded at Abbey Road Studios, London Mixed at The Body, New York. Starring Tom Hardy, Emily Browning, David Thewlis, Paul Bettany, Taron Egerton. U.S. Release November 20, 2015. Tom Hardy as Ron and Reg Kray.

  3. www.carterburwell.com › main › homeThe Body

    Carter Burwell was interviewed in 2016 by Jeffrey Brown for PBS NewsHour. You can view the seven minute video above. Above is video of a 90-minute discussion entitled "Art of the Score" between Carter Burwell, Alec Baldwin, Ethan Coen, Joel Coen and neuroscientist Aniruddh Patel, sponsored by the World Science Festival and the New York Philharmonic.

  4. Carter Burwell's Notes. I started writing music for Breaking Dawn Part 2 more than two years before it was released. The director, Bill Condon, suggested that, just as Edward had played "Bella's Lullaby" for Bella in the first Twilight film, he should now create a lullaby for his daughter Renesmee.

  5. Oct 21, 2022 · Composer Carter Burwell initially thought he’d be responsible for creating the titular fiddle tune for Martin McDonagh‘s “The Banshees of Inisherin.”In the screenplay, the song is one Colm ...

  6. Dec 29, 2015 · Carter Burwell’s tenure as a Hollywood composer is a bit remarkable, both in terms of longevity and adaptability. As the go-to composer for the Coen Brothers and Spike Jonze, Burwell has readied ...

  7. Carter Burwell’s score also amplifies the power and the glory of the setting." - Todd McCarthy, Deadline, Sept. 5, 2022. "Carter Burwell’s score skillfully develops a feeling of small-town mystery, then dread, while cinematographer Ben Davis sticks to McDonagh’s mandate for finding sheer beauty throughout."