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  1. Jun 25, 2024 · The Art of Getting By is a 2011 American romantic comedy-drama film featuring Freddie Highmore and Emma Roberts. It follows George, a high school student with a nihilistic outlook, who forms a unique bond with Sally, a popular yet complex classmate.

  2. 6 days ago · The Art of Getting By George (Freddie Highmore) is a senior at a posh Manhattan prep school, but his disaffected attitude leaves little room for toeing the line. He'd rather doodle and read philosophy, and he strenuously avoids his parents (Rita Wilson, Sam Robards) whenever possible.

  3. Jun 23, 2024 · The Art of Getting By is a 2011 American romantic comedy-drama film featuring Freddie Highmore and Emma Roberts. It follows George, a high school student with a nihilistic outlook, who forms a unique bond with Sally, a popular yet complex classmate.

  4. 6 days ago · Ten years after it was originally published, New Yorkers chose to read it collectively for One Book, One New York, a city-sponsored book club. They couldn’t get enough of the New York in which Smith renders hunger—ambition and an absence of food—as matter of fact, a way of life.

  5. 15 hours ago · The art of getting it done. Viewing a TV show about the painful process of making the classic film The Godfather, TBWA\London’s CCO Andy Jex sees a number of parallels with life in adland. By Andy Jex 09/07/2024. It took me a worryingly long time before I realised that great work doesn’t just get bought simply because it’s great.

  6. 6 days ago · The Art of Getting Along is a 1954 comedy film directed by Luigi Zampa and starring Alberto Sordi. It is the third and final chapter in the political trilogy about the continuity of fascism in postwar conceived by Vitaliano Brancati and also consisting of Difficult Years and Easy Years.

  7. 1 day ago · After studying art history between Paris and New York, Isabelle specialised in works from the 19th and 20th century, joining Christie’s as an expert in Impressionist and Modern Art. Her Master’s thesis, she says, was inspired by the anguish she felt when she first saw Édouard Manet’s A Bar at the Folies-Bergère at the Courtauld.