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Oct 19, 2023 · One of the great masters of cinema, Danish director Carl Theodor Dreyer (1889-1968), captivated by the person of Jesus, translated an encounter with the Christ of the Gospels into his film work in different ways.
Mar 5, 2024 · As for the 2012 Sight & Sound Top Ten, compare it with 1982 ("Singin' in the Rain," "The General"), 1992 ("L'Atlante") and 2002 ("Singin' in the Rain"). The lack of comedy on the new list hearkens back to the Somber Ol' Days of the 1950s, '60s and '70s.
May 30, 2024 · Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) remains a haunting recollection of the French saint’s trial and death that needs no words to deliver an emotionally intense drama featuring one of the greatest ever lead performances.
Nov 22, 2023 · Danish director Carl Theodor Dreyer is on set, watching with alarm as the two parties of extras inflict blows that are more than just historically accurate. Several people are taken away on stretchers.
Sep 18, 2023 · Danish filmmaker Carl Theodor Dreyer was an ambitious pioneer of early cinema, determined to create a work of art that would set a standard for future films. Dreyer's silent masterpiece,...
Jun 30, 2023 · It’s surprising that filmmaker Carl Theodor Dreyer (1889–1968) made a vampire flick, or any horror film for that matter. Before directing Vampyr, the Danish filmmaker had directed the silent 1928 picture La Passion of Jeanne d’Arc, a riveting portrayal of the trial and execution of the French female fighter.
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Aug 28, 2023 · Vampyr’s maker Carl Theodor Dreyer (1889–1968) was the last director one might expect to make a vampire film, or a horror film of any kind. A Danish director, his most recent film before Vampyr was the 1928 silent La Passion de Jeanne d’Arc, a deeply compelling account of the trial and execution of the French female warrior.
May 10, 2024 · Carl Theodor Dreyer’s legacy as a pioneering Danish filmmaker continues to influence the world of cinema today. His films, notable for their simplicity, precision, and emotional depth, have not only carved a niche in film history but also serve as a masterclass in minimalist cinema.
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Gertrud er gift med politikeren Gustav og har et forhold til den unge musiker Erland. Før ægteskabet havde hun et forhold til digteren Gabriel. Alle tre er mænd for hvem arbejdet har højeste prioritet, mens det for hende er kærligheden. Derfor bryder hun med dem alle og vælger selvstændigheden.
