Search results
Jun 10, 2024 · Activating Fluxus centers on the lives and afterlives of Fluxus objects, events, and ephemera created in the 1960s–70s in Switzerland, Europe, the UK, and the US. Fluxus transformed creative practice for good, not least by questioning the dominant preconception of the artwork as something that endures unchanged.
4 days ago · Bound Flux-year- books and other collaborative book projects such as Fluxus 1 (1964) or A Tribute to John Cage (1987), short flux-movies by Ono and Shiomi projected across the gallery space, posters and examples of cc V TRE, the Flux-newspaper, hung sandwiched between plastic sheets for reading in all directions, with both sides viewable.
Jun 8, 2024 · A brief history of the Fluxus art/non art movement in New York. Presented by artist Giles Whitehead and featuring clips from Misfits – 30 Years of Fluxus including Ben Vautier, Yoko Ono and Alison Knowles.
16 hours ago · It was an affirmation of life and the beginning of a series that defined his oeuvre for more than 70 years. And, escaping from the walls, these mini-manifestos, which originated in the experimental culture of the Nice school of the 1950s, and Fluxus movement of the 60s, are now ubiquitous across France, on postcards, stamps, wine labels, stationery and rucksacks.
Jun 13, 2024 · I found a notecard note to myself (my obsession with office-style record keeping (if it were a time prior to digital computers) persists especially now that I stare into something, contemplate the monastic life for a while, and have very little to give two fucks about (yes, a luxury, but such is how I am facing indigency and loss)—back to the notecard—that said," “the initial footbath of ...
Jun 17, 2024 · But 30 years ago, Mike Nichols and Jack Nicholson collaborated for an unexpectedly strange addition to the werewolf canon that brought the monsters thoroughly into the ‘90s.
5 days ago · Starring Gena Rowlands as a woman of disintegrating mental health, John Cassavetes’ 50-year-old drama breaks cinematic convention to create an experience of profound intensity and discomfort. John Cassavetes had complete disdain for the idea of cinema as escapism. He didn’t believe in making films that went down easily, or that reassured ...
