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Tarzan vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville Andrew Utterson In contrast with the Utopian perspectives on science and technology that pervaded much of the discourse concerning computers in the 1960s, Jean-Luc Godard's Alphaville [Alphaville, une étrange aventure de Lemmy Caution] (1965) explores an alternative, humanist
Far from a new idea, the city as an intelligent machine is a classic science fiction trope, treated in films such as Jean Luc Godard’s 1965 film Alphaville, which the director provisionally entitled “Tarzan versus IBM.” Yet, the words intelligent and smart have different meanings.
Sep 22, 2008 · Tarzan Vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville (Critical Essay) Film Criticism 2008, Fall, 33, 1. $5.99. Publisher Description.
Using recent examples of data-driven urbanism, this chapter will describe the differences between various urban technologies and techno-cultures based on the goals and value propositions of their supporters.
Utterson, A. 2008. Tarzan vs. IBM: humans and computers in Jean-Luc Godard's Alphaville. Film Criticism. 33 (1), pp. 45-63.
Agente Lemmy Caution missione Alphaville, Tarzan versus I.B.M., Une Étrange aventure de Lemmy Caution. Genre. Horror/Science-Fiction. Drama. Foreign. Release Date. Jan 1965. Premiere Information. New York opening: 25 Oct 1965. Production Company. Chaumiane Production; Film Studio. Distribution Company.
Using recent examples of data-driven urbanism, this chapter will describe the differences between various urban technologies and techno-cultures based on the goals and value propositions of their supporters.
