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  1. Jul 8, 2024 · British Screen Forum has today (8 July 2024) published a Manifesto that calls on the new Government to develop Screen Sector policy based on a clear understanding of the high cost, high risk, hit-dependent nature of the industry, with carefully targeted interventions that ensure the Screen Sector can continue to make its significant ...

  2. 4 days ago · Wiggin LLP. United Kingdom July 22 2024. The British Screen Forum has published a manifesto calling on the new Government to “ develop Screen Sector policy based on a clear understanding of the ...

  3. en.wikipedia.org › wiki › Kate_WinsletKate Winslet - Wikipedia

    4 days ago · Her first screen appearance, at age 15, was in the British television series Dark Season (1991). She made her film debut playing a teenage murderess in Heavenly Creatures (1994), and went on to win a BAFTA Award for playing Marianne Dashwood in Sense and Sensibility (1995).

  4. 1 day ago · With Film and TV continuing to influence travel worldwide, the British Film Commission and VisitBritain’s new partnership builds on the potential of screen tourism. Today’s MoU strengthens the British Film Commission and VisitBritain’s mutual aims of boosting economic growth.

  5. 4 days ago · Alexander Lea. July 22, 2024. The British Screen Forum has published a manifesto calling on the new Government to “ develop Screen Sector policy based on a clear understanding of the high cost, high risk, hit-dependent nature of the industry, with carefully targeted interventions that ensure the Screen Sector can continue to make its ...

  6. Jul 11, 2024 · Featuring the very best of British classic film and television, British Screen Classics will launch on the 8th of July and will be available to viewers initially through LG channels and Pluto TV in the UK, followed by several other platforms.

  7. 3 days ago · As a powerful contemporary discourse, ‘diversity’ has become something of the ‘mother and apple pie’ mantra of the screen industries and media policy in response to deeply embedded social inequalities within the creative and cultural industries, which reflect much deeper structural inequalities within British society (Malik, 2013; Nwonka and Malik, 2018).