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Dave Pressler is an American illustrator, animator, sculptor, character designer and painter based in Los Angeles. Much of his work focuses on whimsical portrayals of robots and strange, fantastical creatures. [1]
Los Angeles, USA. davepressler@earthlink.net. Art Sculpture and Design by Dave Pressler.
As Dave Pressler continues to push creative boundaries and inspire with his unique blend of artistry and imagination, his legacy as a pioneering creator in the ever-evolving landscape of multimedia artistry remains firmly established.
Pressler was the executive producer and co-creator for the animated series "Robot and Monster" (2012) on Nickelodeon, and nominated once again for a daytime Emmy for outstanding Children's animated program in its debut season.
Dec 1, 2008 · davepressler. @davepressler. Designer Sculptor Artist - I actually managed to turn daydreaming and drawing stupid robots into a career. Los Angeles davepresslerart.com Joined December 2008. 297 Following. 874 Followers. Replies. Media. Likes. Pinned Tweet. davepressler. @davepressler. ·. Feb 7. Testing...One...Two...Three...Testing...
5,755 Followers, 3,849 Following, 1,114 Posts - Dave Pressler (@davepressler) on Instagram: "Blue collar artist. Co-Executive Producer Rugrats reboot at Nickelodeon. Art inquries: @hijinxarts l heidi@hijinxarts.com".
Dave Pressler is an American illustrator, animator, sculptor, character designer and painterbased in Los Angeles. Much of his work focuses on whimsical portrayals of robots and strange, fantastical creatures. He is perhaps best known for his Emmy-nominated, short-lived Nickelodeon series Robot...
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Pressler was the executive producer and co-creator for the animated series "Robot and Monster" (2012) on Nickelodeon, and nominated once again for a daytime Emmy for outstanding Children's animated program in its debut season.
Aug 4, 2018 · Dave Pressler, the Emmy-nominated co-creator of Nickelodeon's 'Robot and Monster,' looks back on 20 years with drawings, paintings, toys and resin sculptures at the Lancaster...
